“Tarantismo: Odyssey Of An Italian Ritual” | “2lp, Gatefold, Shrink-wrapped”

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Cat. No.FLEE002
Orders fromFri, 06 Mar 2020
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WORLD EXCL. FRANCE & USA & JAPAN a limited 2LP Gatefold record. Vinyl: 2x140gr LP Compilation, Gatefold, shrink-wrapped This double LP captures original field recordings of musicians-exorcists registered by Diego Carpitella, Ernesto de Martino and Alan Lomax in the late 1950’s in Puglia as well as six unique reworks by contemporary vanguard electronic musicians and producers such as: Bjorn Torske & Trym Søvdsnes (NO), LNS (CA), UFFE (DK), KMRU (KE), Bottin (IT), and Don’t DJ (DE). Tracklist A1: Diego Carpitella & Alan Lomax - E Ballamu Tutti Ddhoi Ti Paru A2: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.014 A3: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.015 A4: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.026 A5: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.030 A6: Diego Carpitella - Santu Paolu meu de Galatina B1: Bjorn Torske & Trym Søvdsnes - Pizzica tarantata n.026 (rework) B2: Uffe - Pizzica tarantata n.015 (rework) C1: LNS - Pizzica tarantata n.014 (rework) C2: Bottin - Santu Paolu meu de Galatina (rework) D1: Don’t DJ - Pizzica tarantata n.014 (rework) D2: KMRU - Pizzica tarantata n.030 (rework) Release Info: After their first issue focus on Benga, a Kenyan musical movement, FLEE is proud to present its new project: «Tarantismo: Odyssey of an Italian Ritual», available on 2LP Gatefold and as a bundle with 2LP Gatefold and a 168 pages Book. Dedicated to Tarentism, this project tells the story of a centuries-old choreo-musical ritual from Southern Italy, mobilizing frenetic rhythms and maniac dances, to exorcise women of a mysterious evil caused by the bite of a spider. Trans-disciplinary, this effort of documentation and artistic re-interpretation of one Europe’s most mysterious trance phenomenon is comprised of a double LP vinyl compilation including original recordings from Italian Maestro’s Carpitella, Lomax and De Martino with reinterpretations from Don’t DJ, Bot

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