Frankie

“Rush Rmxs-john Tejada-luke Solomon Rmxs”

FRANKIE03 scanZoom inLabelFrankie
Cat. No.FRANKIE03
FormatEXCL12"C
Orders fromMon, 31 May 2004
PricePlease sign in to see price

Review

With only two releases FRANKIE records carved itself a big niche because of it’s uncompromising, totally unique sound that is distilled out of raw essences of techno and house, clicks and bleeps and miriads of influences all over the musical spectrum - a fresh breeze that was frenetically received by major players from all camps as well as club crowds. on this third offering two well established music eccentric sink their teeth into the frankie sound: JOHN TEJADA must have had a field day remixing “rush” since it sounds as he couldn’t resist his pounding beat and the command to “stomp it” himself and walked all over his analogue equipment to get out all these funny noises, twisted voice samples etc. certified lunatic LUKE SOLOMON of Freaks fame lands some hard punches with dry, rattling beats and mean distorted torture chamber synth sounds. FRANKIE revisites the track himself starting out with a nice shuffle before moving into some hyper-futuristic ska riddim with a quirky bizarre melody that sounds like a sped-up circus organ soundtrack to a slapstick silent movie. true freaky out-there ish hittin you hard with the rhythm stick!

FRANKIE03 in the media

Groove 08/09.2004: “Der DJ und Producer Frankie aus Paris hat sich mit nur zwei Releases ein tolles Standing erarbeitet. Luke Solomon verstärkt den Punch der Nummer, unterlegt sie mit einem unterschwelligen Summen und erzeugt den typisch schrägen Swing der Freaks. Frankie selbst wirft ein Shuffle-Pattern über „Rush“, um zu einem exzellenten Micro-Bleep-Track zu gelangen.”

Groove 08/09.2004: “Der DJ und Producer Frankie aus Paris hat sich mit nur zwei Releases ein tolles Standing erarbeitet. Luke Solomon verstärkt den Punch der Nummer, unterlegt sie mit einem unterschwelligen Summen und erzeugt den typisch schrägen Swing der Freaks. Frankie selbst wirft ein Shuffle-Pattern über Rush`, um zu einem exzellenten Micro-Bleep-Track zu gelangen.”

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