REPRESS IN COLOURED VINYL!!!Following two releases by more established artists, Liebe*Detail dedicates itself to complete newcomers again. Coming from the small town of Lüneburg, Matthias Meyer is in his early 20s and proves that you don’t need to have spent a decade or longer on the dj- and producer-circuit in order to make tracks that cut dancefloors to the quick. “Reichenbach” is a concisely crafted peaktime track. Its metallic, urgent drive builds up a lot of tension leading up to an inevitable, massive climax. This definitely is excessive maximal techno. Its sheer precision and power will leave dancefloors breathless. In direct comparison, young producer Andre Gansebohm alias Ndru’s track is more relaxed. With a duration of more than 11 minutes, it is not only the longest track ever released by Liebe*Detail so far, but it is also the one with the strongest narrative concept beyond the usual tales of the dancefloor. Ndru developes the story of a pony named Clipclop working as a cashier in a supermarket. Most of the track’s sounds consist of field recordings, Ndru actually collected in supermarkets. In the course of “A Pony…” rhythms, tonal colours and atmospheres are constantly shifting, their patterns and intensities are constantly changing. Thus, a real narrative flow is created. Stilistically, the track sticks to minimal as well as clicks’n'cuts traditions, but Ndru manages to balance the genres’ artificiality by adding warm, low key harmonies.

DE:BUG: “Ich lasse mich wirklich von jeder neuen Liebe*Detail gerne überraschen, denn jedes Release klingt so als hätte man sich immer die beiden Tracks des Monats rausgesucht, die einen wirklich ergreifen können. Ndru klingelt mit einem abstrakt melancholischen Glöckchentrack so verliebt und trabend (das heisst auch schon „a pony named clipklop“) daher, dass man seinen Ohren nicht trauen möchte, wenn man hört, dass sich das immer mehr zu einem Nachfolger von Nathan Fakes Dynamo entwickelt, der von Lawrence hätte produziert sein können. Andre Gansebohm, den Namen definitv nie wieder vergessen. Die Rückseite von Matthias Meyer mit dem Titel „Reichenbach“ klingt eigentlich von dem Namen her so als wäre es eine perfekte Kompakt-Platte. Der Track hat auch dieses treibend trocken metallische, das man an manchen Speicher-Ideen geliebt hat, aber letztendlich ist es doch ein ganz eigenes Ravemonster. Bleed *****”

DE:BUG: “Ich lasse mich wirklich von jeder neuen Liebe*Detail gerne überraschen, denn jedes Release klingt so als hätte man sich immer die beiden Tracks des Monats rausgesucht, die einen wirklich ergreifen können. Ndru klingelt mit einem abstrakt melancholischen Glöckchentrack so verliebt und trabend (das heisst auch schon a pony named clipklop`) daher, dass man seinen Ohren nicht trauen möchte, wenn man hört, dass sich das immer mehr zu einem Nachfolger von Nathan Fakes Dynamo entwickelt, der von Lawrence hätte produziert sein können. Andre Gansebohm, den Namen definitv nie wieder vergessen. Die Rückseite von Matthias Meyer mit dem Titel Reichenbach` klingt eigentlich von dem Namen her so als wäre es eine perfekte Kompakt-Platte. Der Track hat auch dieses treibend trocken metallische, das man an manchen Speicher-Ideen geliebt hat, aber letztendlich ist es doch ein ganz eigenes Ravemonster. Bleed *****”

DJ KAROTTE: “#8 CHARTS DECEMBER 2005 ”

DJ KAROTTE: “#8 CHARTS DECEMBER 2005 ”

DJ MAG: “Liebe Detail’s A&R department is earning its money. This split release is a shot in the dark from two unknowns that pay off handsome dividends. Ndru’s ‘Pony’ sounds like a combination of Boards Of Canada’s pastoral ambience and the more reflective end of minimal techno – until the hazy textures give way to an intense percussive finale. Meanwhile, Matthias Meyer’s contribution is on a par with the best releases on his namesake’s Speicher label, a steely drum-led, rave-sampling backs-to-the-wall stomper. 4 points of 5”

DJ MAG: “Liebe Detail`s A&R department is earning its money. This split release is a shot in the dark from two unknowns that pay off handsome dividends. Ndru`s `Pony` sounds like a combination of Boards Of Canada`s pastoral ambience and the more reflective end of minimal techno until the hazy textures give way to an intense percussive finale. Meanwhile, Matthias Meyer`s contribution is on a par with the best releases on his namesake`s Speicher label, a steely drum-led, rave-sampling backs-to-the-wall stomper. 4 points of 5”

FUNK'D'VOID (Lars Sandberg): “this leaves a lot of so-called "leading" techno producers in the dust- inventive, powerful and reeking of dancefloor - sassiness. I'm a fan. ”

FUNK'D'VOID (Lars Sandberg): “this leaves a lot of so-called "leading" techno producers in the dust- inventive, powerful and reeking of dancefloor - sassiness. I'm a fan. ”

JEFF MILLIGAN: “#3 in his top 10 charts / april 2006”

JEFF MILLIGAN: “#3 in his top 10 charts / april 2006”

JOSH WINK: “Good and tight production. A Big Minimal crowd pleaser this one is! Reichenback will destroy the dancefloor! ”

JOSH WINK: “Good and tight production. A Big Minimal crowd pleaser this one is! Reichenback will destroy the dancefloor! ”

KAOS: “#1, GROOVE-Charts January/February 2006”

KAOS: “#1, GROOVE-Charts January/February 2006”

LAURENT GARNIER: “"as good as ever - full support"”

LAURENT GARNIER: “"as good as ever - full support"”

PATRICK BATEMAN (Tic Tac Toe): “"The Matthias Meyer track is AWESOME. This is exactly what I'm playing and I will play that track a lot! Should be a little hit I think :) Thumbs up for that."”

PATRICK BATEMAN (Tic Tac Toe): “"The Matthias Meyer track is AWESOME. This is exactly what I'm playing and I will play that track a lot! Should be a little hit I think :) Thumbs up for that."”

TOBI NEUMANN: “i like the matthias meyer track "reichenbach" - well done!”

TOBI NEUMANN: “i like the matthias meyer track "reichenbach" - well done!”