“Past Present Future Mix By P-toile”

TRENCD001 scanZoom inLabelTrenton
Cat. No.TRENCD001
Orders fromWed, 15 Feb 2006
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The label Trenton is located in Berlin but banks on international sound. Artists hailing not just from the usual nightlife centres such as Paris or Berlin, but also from the undetected music scenes in Poland and Russia. Trenton is definitely real precursor of the European idea. The different ancestry of the producers provides the necessary openness and dynamic that avoids the sound becoming pigeonholed. But the heart of the electronic dance music was still beating in Berlin. So P.toile and her mate Reynold moved from the shadow 19th century Eiffel Tower to within sight of the communist styled “Fernsehturm", the Berlin TV tower, into the creative mess of Berlin Friedrichshain, bang in the middle of the vibrant club and bar scene in the east of the city. Having a booking agency (Famous Berlin “Clique Bookings") and the record label put P.toile in a prime position, compiling the line-up for parties in the city’s clubs, which helped shape the contemporary Sound of Berlin. The popularity of this sound has been growing for several years abroad leading P.toile to travel all the way across the continent, from Bilbao to Moscow, providing the hot minimal shit the fans are longing for. P.toile had this audience in mind when she compiled and mixed Past Present Future. A gift for friends - and a long-lasting memory of sweaty dancing nights. Tracklisting01) Aspro - under the ice , 02) P.toile - Purr crash , 03) Reynold - Sein , 04) Phil Stumpf - Imploder , 05) SLG - Go! City runner , 06) Nooncat - Love , 07) Aspro - From point a to point b , 08) Aspro & Reynold - Curves , 09) 3 Channels - 2 minuty po tym , 10) TvS & Aera - Mack’n tire , 11) 3 channels - Jack in , 12) 3 channels - I wanna be your mike p. [LLC rmx] , 13) Nooncat - Psychic kids

TRENCD001 in the media

Groove Magazin (GER): “Was soll man dazu jetzt sagen? Diese Trenton-Compilation scheint vieles zu bündeln, was sich in den letzten Jahren auf dem Gebiet der (minimalistischen) elektronischen Tanzmusik entwickelt hat: Techno minimaler und subtiler zu denken; Minimal-Techno darker und rougher zu gestalten; atmosphärisch dabei eine gewisse Depression als naturgegeben hinzunehmen; diese zu verdrängen und mit electroidem, etwas oberflächlichem House zu feiern, als gebe es kein Morgen; oder sich gleich das Gefieder mit einem Konvolut aus Samples und Geklacker zu schmücken und gereinigtem, spielerischem Micro-House zu frönen”

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