The Danish scene has evolved a lot over the last years, with acts like Trentemøller, Martinez and Whomadewho. The new label Tartelet Records is rising from the horizon of the Copenhagen club culture. Tartelet Records is founded by Fredski (the man behind the greatest Copenhagen parties ) and Tomboy (aka Tomas Barfod, DJ, producer and drummer of Whomadewho, with previous releases on Turbo, Kitsuné , Get Physical and Gomma). The two founders themselves are also behind this first Tartelet release, which is a true showcase of what the label stands for: Tech-house with multiple flavors like ghetto, funk, disco and a bit world. The A-side ‘Do the Tartelet’ is a schizophrenic yet effect full combination of sampled horn-madness, hand claps and techno bass. On the flip side ‘Cereal’ sounds as if James Holden and Paul Jonson were trying to make minimal house together. The future releases from Tartelet promise remixes from world-league remixers (tba) and tracks by Danish kleshmer-techno-reggae band Analogik DO THE TARTELET

Claude V Stroke (Dirtybird): “ Nice to have the vinyl. Cool Record. ”

DJ Gio MC-505: “This is the new label from Denmark and sounds like a new platform for ideas and music without border. For the first catalogue number we have two surprises: "Do The Tartelet", a result of combination of horn-samples and furious techno-beats and "Cereal", a dirty minimal style with powerful bassline imported from d'n'b. One of the founder of label is Tomas Barfod (Tomboy, WhoMadeWho to name a few): a guarantee!”

James Flavour (Dirt Crew): “crazy a side. good start fo rthe label!!”

Karotte (CocoonGreat Stuff): “gute platte für die großen floor. macht spaß die a seite.”

Laurent Garnier (F-Com): “the A side is soooOOO damn funky The bass is fucking enormous Can't wait to play this on a big system It will drive them nuts Full support ”

Only For Dj's Mag (F): “Nouveau label danois tenu par Fredski et Tomboy. 'Do The Tartelet' (127) est un morceau original, avec un riff de cuivres jazzy détourné qui met bien l'ambiance et contraste avec le kick plutôt dark. En B, 'Cereal' est un peu comme si Paul Johnson et James Holden voulaient faire un disque minimal ensemble... Non conventionnel, ce disque est vraiment intéressant. (LU)”