Sebastian Mullaert & Eitan Reiter

“Reflections Of Nothingness”

MULE179 scanZoom inLabelMule Musiq
Cat. No.MULE179
Orders fromThu, 16 Oct 2014
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“Enter The Spiral” - the title of the opening track by the first collaborative work between Sebastian Mullaert and Eitan Reiter is not just a random name. It is a title which anticipates what can happen if you let yourself go alongside their nine epic musical trips. They all emerged out of a free flowing improvised communication between the DJs and producers from Sweden and Israel. They both first deeply met on a festival in Tulum, Mexico where they played together at the end of the Maya calendar. Finally Eitan proposed the idea to visit Sebastian in his dropout studio in the Swedish woods in the north of Malmö. Sebastian instantly said yes and added without knowing in February 2014 another chapter to a vibrant artistic year, in which he started to focus on his solo work and took a hiatus from his famed project Minilogue, after playing, producing, and performing with his close friend Marcus Henriksson for more than 16 years. Warmly welcomed in a little Swedish village right at the entrance of a big National Park, Eitan, who produces and releases genre-crossing electronic and electro-acoustic music solo or in projects like Loud since the mid of the noughties, found himself right in the centre of Sebastian’s family. Their days been shaped by daily life and they took care of the children, cooked, practiced yoga, meditated and made long walks with out words in the nearby forest. Absorbed by the sense of oneness with their daily existence they started to communicate in the studio to build aimless an intersection between the outer and the inner world. It turned out to be a celestial dynamic voyage of unconscious emotions in time that made them produce a unique journey in sound. They drift on ambient territories, they let their heartbeats out via knocking techno beats, go deeply into moments of trance and drop some sparkling acid arpeggios while waving into all sorts of electronic musical expressions. You cannot put their collaboration into one stylistic corner - you

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