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2x12" Excl
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Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
Barcode:4251804180047
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Last in:27.05.2024
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Last in:27.05.2024
Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
Barcode:4251804180047
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Lea Lisa - Poem For The Lost Souls (Original Mix)
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Lea Lisa - Poem For The Lost Souls (Broken Mix)
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Lea Lisa - Poem For The Lost Souls (Kuniyuki Version)
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Lea Lisa - Poem For The Lost Souls (Session Victim Version)
Gatefold Cover, Double-12”
Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
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Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
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Label:Phonica Records
Cat-No:PHONICA034
Release-Date:02.09.2022
Genre:House
Configuration:12"
Barcode:
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Last in:21.04.2023
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Last in:21.04.2023
Label:Phonica Records
Cat-No:PHONICA034
Release-Date:02.09.2022
Genre:House
Configuration:12"
Barcode:
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Lea Lisa - Love To The End (Manchester Club Mix)
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Lea Lisa - Love To The End (Sunset Mix)
After her stunning release on our deeper House focused Karakul label, we are over the moon to welcome back Swiss producer Lea Lisa on our main Phonica imprint.
The ‘Love To The End EP’ takes influence and inspiration from a particular early 90s UK Techno rarity by Mark Goddard titled ‘The End’ (The Truth EP), a beautiful and emotive take on the classic sound of UK Techno that’s been much loved and highly sought after for decades, even being a particular favourite of Aphex Twin. It’s an ode to the original, rather than a remix or cover. The two mixes re-imagine the sound of soulful and deep Techno, combining driving basslines and drum machine grooves with atmospheric and nostalgic synth lines.
On the A-Side’s ‘Manchester Club Mix’, the focus is laser focused on peaktime dancefloors with a slowly building level of euphoria matched with rolling drums until the breakdown chills the mood and the plucky, earth shaking bassline returns before the tension is released and the melodies float effortlessly around the pounding rhythm.
Over on the B-Side, the ‘Sunset Mix’ jacks up the drums with kicks and claps that shake your spine. The bassline rolls steadily throughout the mix but the melodic lines this time are more restrained, introspective and subtle, echoing and harking to past rave memories with ease... More
The ‘Love To The End EP’ takes influence and inspiration from a particular early 90s UK Techno rarity by Mark Goddard titled ‘The End’ (The Truth EP), a beautiful and emotive take on the classic sound of UK Techno that’s been much loved and highly sought after for decades, even being a particular favourite of Aphex Twin. It’s an ode to the original, rather than a remix or cover. The two mixes re-imagine the sound of soulful and deep Techno, combining driving basslines and drum machine grooves with atmospheric and nostalgic synth lines.
On the A-Side’s ‘Manchester Club Mix’, the focus is laser focused on peaktime dancefloors with a slowly building level of euphoria matched with rolling drums until the breakdown chills the mood and the plucky, earth shaking bassline returns before the tension is released and the melodies float effortlessly around the pounding rhythm.
Over on the B-Side, the ‘Sunset Mix’ jacks up the drums with kicks and claps that shake your spine. The bassline rolls steadily throughout the mix but the melodic lines this time are more restrained, introspective and subtle, echoing and harking to past rave memories with ease... More
12"
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Label:Wolf Music
Cat-No:wolfep054
Release-Date:10.10.2019
Genre:House
Configuration:12"
Barcode:
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Last in:13.01.2020
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Last in:13.01.2020
Label:Wolf Music
Cat-No:wolfep054
Release-Date:10.10.2019
Genre:House
Configuration:12"
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Lea Lisa - Something For The Dancers
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Lea Lisa - From Garage
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Lea Lisa - Something For The Dancers (Kerri Chandler Dark mix)
For a label so ingrained in house music like WOLF, to release a standout remix from the legendary Kerri Chandler, alongside two deep and intricate Lea Lisa originals, is a key moment even for these mainstays of the scene.
On the one-to-watch list for those in the know, Lea Lisa’s releases on Mona Musique, Memories and Chez Damier’s Inner Balance Recordings, alongside her role within the INNERDISC.fr record store family outline a passion and desire that flows through everything she does.
Showcasing her unquestionable talent, ‘Something For The Dancers’ is a soulful and emotive journey layered with weighty synth lines, dream-like pads and powerful bass tones. An introspective plunge into the night, operatic vocal washes and masteful Rhodes touches add an extra ethereal edge to this seriously accomplished track - one that wouldn’t be out of place in Kerri’s own discography.
Hence why Kerri’s remix works so seamlessly. It’s instantly recognisable in classic Kerri style - a shuffling garage house beat blending beneath sustained string synths and signature stabs, with the man himself even stepping up to bless the mic. A heavenly slice of house that could easily stand side-by-side with the cream of his ‘90s output.
Also on offer Lea Lisa presents ‘From Garage’, a sultry combination of sensuous vocals, analogue keys and thumping percussion, that’s another clear nod to the scene’s originators and one that proudly completes the latest piece of her’s, WOLF’s and Kerri’s legacies.
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On the one-to-watch list for those in the know, Lea Lisa’s releases on Mona Musique, Memories and Chez Damier’s Inner Balance Recordings, alongside her role within the INNERDISC.fr record store family outline a passion and desire that flows through everything she does.
Showcasing her unquestionable talent, ‘Something For The Dancers’ is a soulful and emotive journey layered with weighty synth lines, dream-like pads and powerful bass tones. An introspective plunge into the night, operatic vocal washes and masteful Rhodes touches add an extra ethereal edge to this seriously accomplished track - one that wouldn’t be out of place in Kerri’s own discography.
Hence why Kerri’s remix works so seamlessly. It’s instantly recognisable in classic Kerri style - a shuffling garage house beat blending beneath sustained string synths and signature stabs, with the man himself even stepping up to bless the mic. A heavenly slice of house that could easily stand side-by-side with the cream of his ‘90s output.
Also on offer Lea Lisa presents ‘From Garage’, a sultry combination of sensuous vocals, analogue keys and thumping percussion, that’s another clear nod to the scene’s originators and one that proudly completes the latest piece of her’s, WOLF’s and Kerri’s legacies.
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12"
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Label:Inner balance
Cat-No:ibl13
Release-Date:23.05.2019
Genre:House
Configuration:12"
Barcode:
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Last in:01.07.2019
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Last in:01.07.2019
Label:Inner balance
Cat-No:ibl13
Release-Date:23.05.2019
Genre:House
Configuration:12"
Barcode:
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lea lisa - Here Comes The Night
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lea lisa - Here Comes The Night (Agnes Good Juice mix)
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lea lisa - Let Your Heart Beat
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lea lisa - Waste My Time
Innerdisc's Lea Lisa debuts on Inner Balance with the kind of breezy house grooves that turn spring into summer. Agnès hops on board for a remix of the title track, the epitome of his signature simplicity. Roll the windows down and join the ride!
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More records from Karakul
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Last in:25.07.2022
Label:Karakul
Cat-No:KARAKUL008
Release-Date:07.02.2022
Genre:House
Configuration:12"
Barcode:
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Massiande - Through The Walls
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Massiande - Dub At The Beach
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Massiande - I Remember When I First Met You
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Massiande - New Life
Chilean producer Massiande returns with another record on Phonica's family of labels, with his new 'Through The Walls' EP landing on the deep house focused Karakul imprint this time round.
Since his well received 'Freedom EP' on Phonica White, Massiande has had a string of strong releases on Freerange, No Fuss and Midnight Riot, adding to an already formidable back-catalogue including 12's for Housewax and M>O>S.
'Through The Walls' may be his most accomplished project to date, with the level of production at a particular high, ranging from the crisp, punchy title track to the submerged Dub Techno of 'Dub At The Beach' and on to the melodic beauty of 'I Remember When I First Met You'.
He rounds the 12" off with 'New Life', another new classic sounding like a rediscovered anthem from yesteryear...
We can see this 12" lingering in record bags for quite some time! More
Since his well received 'Freedom EP' on Phonica White, Massiande has had a string of strong releases on Freerange, No Fuss and Midnight Riot, adding to an already formidable back-catalogue including 12's for Housewax and M>O>S.
'Through The Walls' may be his most accomplished project to date, with the level of production at a particular high, ranging from the crisp, punchy title track to the submerged Dub Techno of 'Dub At The Beach' and on to the melodic beauty of 'I Remember When I First Met You'.
He rounds the 12" off with 'New Life', another new classic sounding like a rediscovered anthem from yesteryear...
We can see this 12" lingering in record bags for quite some time! More
12"
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Label:Karakul
Cat-No:karakul006
Release-Date:14.08.2020
Configuration:12"
Barcode:
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Last in:24.08.2020
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Last in:24.08.2020
Label:Karakul
Cat-No:karakul006
Release-Date:14.08.2020
Configuration:12"
Barcode:
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Omar Santis - A. NIRA
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Omar Santis - A. SAKURA BLOSSOM
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Omar Santis - B. CAMEO APPEARANCE (IRON CURTIS REMIX)
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Omar Santis - B. SPACECOLOURPALETTE
Tokyo-based producer Omar Santis returns for his 3rd Karakul EP following on from releases on Dionysian Mysteries and Envelope Audio.
'Thursday Night Funktion' is the 6th release on the imprint and really embodies the ethos of Karakul, soulful deep house workouts designed for the dance floor.
The EP is dedicated to his Tokyo club night 'Funktion'; a cultural party that's held every Thursday at one of the world's top ten small clubs, Oath in Shibuya.
Their events have caught the attention of Tokyo's local community and their international guests by its unique branding and "mature but wild" party atmosphere.
The EP starts on a high with the groovy sample heavy disco/house jam 'Nira'. Vocal chops and guitar licks build and culminate until a massive string section releases a second rush of energy taking the track to even higher ground.
The follow up 'Sakura Blossom' is the deepest cut of the release with washed out pads and bleeps cascading while a hypnotic bass keeps the track grooving.
Iron Curtis adds his personal touch and ups the energy on his remix of 'Cameo Appearance', adding a breakbeat, ethereal melodies and vocal snippets floating atop a plucky bass line.
Ending the release on a blissful note 'SpaceColorPalette' is a flurry of melodic synths and muffled percussion that swirl around over the top of a solid kick and bass groove. More
'Thursday Night Funktion' is the 6th release on the imprint and really embodies the ethos of Karakul, soulful deep house workouts designed for the dance floor.
The EP is dedicated to his Tokyo club night 'Funktion'; a cultural party that's held every Thursday at one of the world's top ten small clubs, Oath in Shibuya.
Their events have caught the attention of Tokyo's local community and their international guests by its unique branding and "mature but wild" party atmosphere.
The EP starts on a high with the groovy sample heavy disco/house jam 'Nira'. Vocal chops and guitar licks build and culminate until a massive string section releases a second rush of energy taking the track to even higher ground.
The follow up 'Sakura Blossom' is the deepest cut of the release with washed out pads and bleeps cascading while a hypnotic bass keeps the track grooving.
Iron Curtis adds his personal touch and ups the energy on his remix of 'Cameo Appearance', adding a breakbeat, ethereal melodies and vocal snippets floating atop a plucky bass line.
Ending the release on a blissful note 'SpaceColorPalette' is a flurry of melodic synths and muffled percussion that swirl around over the top of a solid kick and bass groove. More
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Last in:05.09.2016
Label:karakul
Cat-No:karakul004
Release-Date:26.02.2016
Genre:House
Configuration:12"
Barcode:
Omar Santis makes his debut on Karakul with the four track EP ‘A T.D.L.D Joint’. Karakul is a new label focusing on deeper House cuts from around the world. First up is Chilean born Stockholm dwelling Omar Santis. Omar first came to our attention through his records on the Woodsmen & Lady Log label, the first of which was a split 12” with Niklas Andersson which he then followed up with his own EP titled simply ‘W&LL003’ a few months later. Two fantastic records featuring his low slung, immersive House production that caught Karakul’s ears immediately. Omar tells us ‘A T.D.L.D Joint’ is an abbreviation of ‘Ta det lugnt daa’ meaning ‘Take it easy then yeah’ and on this 12” he certainly does, in the best possible way. It’s his most soulful record to date, building upon his detailed signature sound with perfectly placed vocals on ‘Stark Champagne’, melancholic Rhodes on ‘Lulu’s Jam’, tribal percussion and pads on ‘At The Shanzai Hotel’ and finally lowering the pace altogether for the emotional ender ‘Inward’.
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Last in:03.05.2016
Label:karakul
Cat-No:karakul002
Release-Date:03.07.2015
Genre:House
Configuration:12"
Barcode:
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ny*ak - A1. CURTIS
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ny*ak - A2. FLINT
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ny*ak - B1. LAID
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ny*ak - B2. 1988
Omar Santis makes his debut on Karakul with the four track EP ‘A T.D.L.D Joint’. Karakul is a new label focusing on deeper House cuts from around the world. First up is Chilean born Stockholm dwelling Omar Santis. Omar first came to our attention through his records on the Woodsmen & Lady Log label, the first of which was a split 12” with Niklas Andersson which he then followed up with his own EP titled simply ‘W&LL003’ a few months later. Two fantastic records featuring his low slung, immersive House production that caught Karakul’s ears immediately. Omar tells us ‘A T.D.L.D Joint’ is an abbreviation of ‘Ta det lugnt daa’ meaning ‘Take it easy then yeah’ and on this 12” he certainly does, in the best possible way. It’s his most soulful record to date, building upon his detailed signature sound with perfectly placed vocals on ‘Stark Champagne’, melancholic Rhodes on ‘Lulu’s Jam’, tribal percussion and pads on ‘At The Shanzai Hotel’ and finally lowering the pace altogether for the emotional ender ‘Inward’.
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Last in:22.01.2016
Label:karakul
Cat-No:karakul001
Release-Date:16.01.2015
Genre:House
Configuration:12"
Barcode:
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omar santis - A1. STARK CHAMPAGNE
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omar santis - A2. LULU'S JAM (UNCLE BOOGIE MIX)
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omar santis - B1. AT THE SHANZAI HOTEL
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omar santis - B2. INWARD
Omar Santis makes his debut on Karakul with the four track EP ‘A T.D.L.D Joint’. Karakul is a new label focusing on deeper House cuts from around the world. First up is Chilean born Stockholm dwelling Omar Santis. Omar first came to our attention through his records on the Woodsmen & Lady Log label, the first of which was a split 12” with Niklas Andersson which he then followed up with his own EP titled simply ‘W&LL003’ a few months later. Two fantastic records featuring his low slung, immersive House production that caught Karakul’s ears immediately. Omar tells us ‘A T.D.L.D Joint’ is an abbreviation of ‘Ta det lugnt daa’ meaning ‘Take it easy then yeah’ and on this 12” he certainly does, in the best possible way. It’s his most soulful record to date, building upon his detailed signature sound with perfectly placed vocals on ‘Stark Champagne’, melancholic Rhodes on ‘Lulu’s Jam’, tribal percussion and pads on ‘At The Shanzai Hotel’ and finally lowering the pace altogether for the emotional ender ‘Inward’.
More