Label:Futura Resistenza
Cat-No:RESLP021
Release-Date:03.05.2024
Configuration:LP
Barcode:2022190617323
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Barcode:2022190617323
1
Salenta + Topu - Cliff By The Sea
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Salenta + Topu - Impression Sunrise
3
Salenta + Topu - Jour De Pluie
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Salenta + Topu - Come Sunday
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Salenta + Topu - Contrasting Sounds
6
Salenta + Topu - Third Stream
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Salenta + Topu - Universe 1971
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Salenta + Topu - Electronic Superhighway
9
Salenta + Topu - Pyramids And Desert
10
Salenta + Topu - Woman Reading A Letter
11
Salenta + Topu - From Paradise By Night
12
Salenta + Topu - Light Coming On The Plains
13
Salenta + Topu - Memory The Heart
14
Salenta + Topu - Show Me As I Want To Be Seen
15
Salenta + Topu - WIP
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Label:Futura Resistenza
Cat-No:RESLP030
Release-Date:10.05.2024
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Andreas Trobollowitsch - SEITENHIEB
2
Andreas Trobollowitsch - TRUBA
3
Andreas Trobollowitsch - U
4
Andreas Trobollowitsch - Live At Zacherlfabrik
Explore the sonic landscapes of Trobollowitsch's latest vinyl release, where trumpet strains intertwine with resonant energies, able to fold, deform, and compress time and space so deftly that one has the impression of hearing echoes of distant worlds and times - 'everything everywhere all at once.'
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Label:Futura Resistenza
Cat-No:RESLP024
Release-Date:01.03.2024
Configuration:LP
Barcode:2023021317597
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1
Goncalo Almeida & Pierre Bastien - I
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Goncalo Almeida & Pierre Bastien - II
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Goncalo Almeida & Pierre Bastien - III
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Goncalo Almeida & Pierre Bastien - IV
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Goncalo Almeida & Pierre Bastien - V
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Goncalo Almeida & Pierre Bastien - VI
"Dialogues and Shadows" by Goncalo Almeida & Pierre Bastien invites you on a transcendental musical journey, rising above mere notes and timbres. With mechanical instruments and rich harmonics, their music sparks a conversation where listeners may actively participate. Surprises unfold as melodic phrases emerge from diverse sources, including Pierre Bastien's pocket trumpet and Goncalo Almeida's double bass, along with custom-made instruments.
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Label:Futura Resistenza
Cat-No:RESLP022
Release-Date:01.03.2024
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Barcode:2023021317146
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Cat-No:RESLP022
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1
Limpe Fuchs - Day
2
Limpe Fuchs - Night
Renowned for her percussion genius, Limpe Fuchs surprises with a rare venture into her classical roots - the piano. Despite her extensive musical career, documented piano performances have been scarce until now. In this album she transcends time and expectation, diving into the instrument's essence. Her rhythmic finesse as a percussionist leaves an indelible mark on each keystroke. Join Fuchs on this intriguing late venture into the world of piano and savour every note on this unique and raw artistic encounter.
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Label:Futura Resistenza
Cat-No:RESLP026
Release-Date:26.01.2024
Genre:Alternative/Electronic
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Barcode:2023072213343
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Cat-No:RESLP026
Release-Date:26.01.2024
Genre:Alternative/Electronic
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1
Nadagen - Kult
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Nadagen - Fin De Siecle
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Nadagen - Buitenwijk
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Nadagen - Staccato
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Nadagen - Onder 4 Ogen
6
Nadagen - Binnenstad
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Nadagen - Gordijn
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Nadagen - Gelijkspel
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Nadagen - Rusteloze
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Nadagen - Wachten
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Nadagen - Oorlog
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Nadagen - Zondagmiddag
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Nadagen - Nachtbraker
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Nadagen - Steden
In the early '80s, Dutch band Nadagen carved themselves a niche in Amsterdam's post-punk scene, where nihilism was a call to arms. Their name translates to 'aftermath' or 'twilight years', reflecting their existential outlook: their songs offered prophecies of impending doom, echoing their belief in the imminent end of the world. Nadagen's minimal instrumentation and shouted lyrics convey a sense of rebellion, denouncing the consumerism and so-called decency of the era. Despite a brief existence, they left a legacy that resonates in today's troubled times, making their records a gleeful experience for all the long-standing doomsayers out there.
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7"
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Label:Futura Resistenza
Cat-No:RESAE005
Release-Date:15.09.2023
Genre:Alternative/Electronic
Configuration:7"
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1
Various Artists - Floris Vanhoof
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Various Artists - Red Brut
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Various Artists - Cathy Van Eck
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Various Artists - Nan Wang And Matthias Hurtl
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Various Artists - Peter Fengler
These sonic stories emerged from a gathering of artists concerned with alternative uses of everyday objects, subversive anti-aesthetics, sensual-absent poetry, moving optical discs, and echoes of activities occurring in the Earth's orbit. It was a performative celebration of entangled audio-visual events that enabled us to learn once again how to tune in to a place: with our eyes, with our ears, with our minds. While listening to the record, I remember what it sounded like in the space. I remember monologues of chairs that were given voice, phones eavesdropping and speaking back to us, cassettes falling on the floor (intentionally): some visions unfolding in front of our very eyes and others in our minds. Try to imagine all that these short pieces might still contain. As Peter Fengler exclaims in his chorus: it will all work out. Just choose a bicycle, low on emissions and also better for the tummy and the legs! (Lucija Gregov)
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Label:Futura Resistenza
Cat-No:RESLP023
Release-Date:23.06.2023
Configuration:LP
Barcode:2022102619063
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1
Juho Toivonen - Kasveille
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Juho Toivonen - Siskoille
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Juho Toivonen - Elaimille
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Juho Toivonen - Hyonteisille
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Juho Toivonen - Liskoille
What is music about? It can be about anything, I guess, but that's not what we are talking about. That's not why we are here. What makes the difference is if music, any music, is worth it. Then it's something else. Like this piece, Juho's solo album. What I suggest as a simile to music on this vinyl, is the experience of sauna. Savusauna (smoke sauna) to be exact. The thing about savusauna is that because of the method of heating, the room gets really hot, and the smell of smoke is all over. Google it. But if you want to understand it, try it. When you enter the sauna, you need to surrender, in order to enjoy. A good savusauna is best when it is over 100 celsius. The heat is intense, but don't let yourself feel affronted. Feel embraced. The heat is your vessel. You are transported, just by sitting down. Breathe in, feel the steam, it becomes you, breathe out. This is the way to approach the music on this vinyl. Leave your opinions behind, like you do with your clothes in sauna. You will have them back later, don't worry. But while you listen, don't take anything with you, just focus: on sounds, on your body, on your mind. They will be the same thing for the time being. After being heated up, take your time to cool down. Dip in a lake, if you can. Feel the pulse in your body, like the rhythm of the music. Glance up, float silently. In due time, your body will calm down. By the time you are put to bed, the music will continue inside you. This is what music is about, when it is worth the while. Taneli Viitahuhta
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Release-Date:26.05.2023
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1
Roger 3000 - Entree
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Roger 3000 - Avancee Militaire
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Roger 3000 - Vieux Felin
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Roger 3000 - Fourmis
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Roger 3000 - Reste Envie
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Roger 3000 - Lion Et Desole
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Roger 3000 - Emmene Ma Respiration
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Roger 3000 - Sil Fait Beau
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Roger 3000 - Rentrer Solo
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Roger 3000 - Oiseau Maquillage
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Roger 3000 - Derriere Tes Yeux Bleus
To need, to be needed, in four corners. Sleep and privacy, gases come and gases go, and now you are the only one in the room you sit in, you are one with the room you sit in, as if there are no negatives and no positives--did you know that you are an extension of your apartment? Did you know that you are in a codependent relationship with your apartment? Did you know that your apartment knows and appreciates all of your secrets?--I feel safe, which is not a new need for human beings, but a very ancient one, almost the first one. It is enacted by the possibility of sound, humming or strumming something mostly. But the quiet apartment makes its own sounds: a single longing note of birdsong told to the beat of restful breathing, the angelic insistence of tinnitus, the neighbours. Sometimes I wonder if silence means nobody's home. How still I sit. Sometimes I return to silence and feel hugged by the cool lightness of its touch, like sleeping with just a sheet in summertime. Like turning the key. Like a visit from the cat next door. Like a somnambulant ray reaching across the room, asking if you'd like to step outside. Reste Envie is a desirous message to oneself, made from a place of lived solitude: the parameters of home. Roger 3000 is a painter and a musician from Brussels, Belgium. Rest En Vie follows his 2020 release on his own imprint Tundra Records, Fiftine. His first solo EP, UFO Love Letters, was released by JJ Funhouse in 2014, followed by a contribution to Ekster's 2017 compilation album EXO3. Roger 3000 frequently collaborates with other musicians and artists, most recently with Lawrence le Doux (with whom he released the EP Chou Chou on Lexi Disques in 2021); with Carole Louis as Ondine & Turbotin for the EP Club Solitude, as well as with Bitsy Knox, with whom he released the LP OM COLD BLOOD in 2018 on Tanuki Records. Text by Bitsy Knox
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Label:Futura Resistenza
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Release-Date:17.03.2023
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Cat-No:RESLP018
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1
Efrain Rozas - Still Excerpt 1
2
Efrain Rozas - Still Excerpt 2
Have you noticed that Western music emphasises linear time? Melody is a continuous sequence of sounds. Harmony and rhythm follow a progression from beginning through climax and resolution. Is it possible to have an art that is based on non-linear time? Can we even experience non-linear time? Efra?n Rozas' Still posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings. Efrain Rozas is a Peruvian interdisciplinary artist working with Latin American music, robotics, sculpture and installation. He holds a PhD in composition and ethnomusicology from New York University, and is a 2023-2024 Jerome Hill Artist Fellow. He has published Fusion: a soundtrack for Peru, a publication, video documentary, and music compilation; and has released several albums internationally via Names You can Trust, the Ethnomusicology Institute of Peru, the Embassy of Spain and Buh Records.
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Label:Futura Resistenza
Cat-No:RESLP020
Release-Date:17.03.2023
Configuration:LP
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1
Gunnar Gunnsteinsson - I Believe In A Better World
2
Gunnar Gunnsteinsson - A Letter To ABBA
3
Gunnar Gunnsteinsson - Janitor
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Gunnar Gunnsteinsson - Air Conditioner 1 A Midnight Choir Rehearsal
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Gunnar Gunnsteinsson - A Speed Dial
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Gunnar Gunnsteinsson - Is There Anybody Out There
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Gunnar Gunnsteinsson - Neurotica
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Gunnar Gunnsteinsson - Nidursodid Landslag
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Gunnar Gunnsteinsson - Air Conditioner 2 Organist Rehearsing
Gunnar Gunnsteinsson is an artist and composer, living and working in Reykjav?k. His work includes (sound) installations, film scoring and musical education. A Janitor's Manifesto, Gunnar's second studio album, musically describes and fictionally revises a real time in Gunnar's life when, next to his composition work, he was employed part-time as a janitor within an Amsterdam-based, communal, artist's housing complex, in which he also lived. The album was recorded and produced in Amsterdam and Reykjav?k between 2017 and 2021.
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Label:Futura Resistenza
Cat-No:RES7002
Release-Date:09.05.2022
Genre:Alternative/Electronic
Configuration:7"
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Cat-No:RES7002
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Genre:Alternative/Electronic
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1
Josie Perry - Beautifully Formed
2
Josie Perry - Toy Shop
This 7-inch record contains two audio adaptations by Josie Perry of her performances 'Retainers' and 'Toy Shop'. Josie is based in Glasgow and works mainly between drawing, sculpture, performance and publishing. The performances connected to this vinyl were part of a series made between 2019-20 involving absurd narration, audio loops and suggestive props. 'Beautifully Formed' is a short extract from the longer piece 'Retainers', while 'Toy Shop' uses the full transcript. Both works relate to her interests in materialities of spoken language and alienated voicing, and her background in vocal performance.
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Label:Futura Resistenza
Cat-No:RESLP011
Release-Date:22.02.2022
Configuration:LP
Barcode:2021030916039
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Cat-No:RESLP011
Release-Date:22.02.2022
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1
Bryce Hackford - Fires
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Bryce Hackford - Over
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Bryce Hackford - Is Anyone Home
4
Bryce Hackford - Cloud Holding Sculpture
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Bryce Hackford - Anticipation Clip (Field Hope)
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Bryce Hackford - Cassette Mascara Parade
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Bryce Hackford - Not Back Wave
Cloud Holding is NYC-based Bryce Hackford's fifth album, and first for Futura Resistenza. Seven sound sculptures are coaxed out of recorded improvisations by a group of musicians--Ka Baird, Shelley Burgon, Alice Cohen, Michael Hurder, Dominika Mazurova, Camilla Padgitt-Coles--and worked into formless figures that express an always drifting present. Guided by the Suzuki Nobara--a kind of electric koto with many traditional instrument sounds and unique pitch adjustment controls--and the lyric-less utterances of the human voice, Cloud Holding traces delicate outlines in a collaborative sound world that shines with mysterious, searching affinity.
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Label:Futura Resistenza
Cat-No:RESLP006
Release-Date:31.01.2022
Configuration:LP
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1
Leven Signs - Prague Spring
2
Leven Signs - Iraj 11
3
Leven Signs - Sedes Sapientiae
4
Leven Signs - Morse Message
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Leven Signs - This Inner Space
6
Leven Signs - Rumi
7
Leven Signs - Das Seal
Repress!
In 1985 a wondrous album titled Hemp Is Here was created by the obscure English duo Leven Signs, composed of Pete Karkut and Maggie Turner. Since then, Hemp Is Here has proven to be a visionary recording that holds a special place in the ongoing expansion of experimental music. Through the method of tape collage, an unclassifiable recording was created that consisted of post-punk and avant-pop sounds, tribal rhythms and dub and folklore elements. The result was an unpretentious yet sonically sophisticated endeavour that subconsciously evoked the twentieth-century avant-gardist and minimalist music traditions. While maintaining a distinctly original sound, their output still contributed to local explorations and remained somewhat in line with other genre-dissolving bands from eighties England like Rimarimba, This Heat, Woo, 23 Skidoo or Eric Random and The Bedlamites. More
In 1985 a wondrous album titled Hemp Is Here was created by the obscure English duo Leven Signs, composed of Pete Karkut and Maggie Turner. Since then, Hemp Is Here has proven to be a visionary recording that holds a special place in the ongoing expansion of experimental music. Through the method of tape collage, an unclassifiable recording was created that consisted of post-punk and avant-pop sounds, tribal rhythms and dub and folklore elements. The result was an unpretentious yet sonically sophisticated endeavour that subconsciously evoked the twentieth-century avant-gardist and minimalist music traditions. While maintaining a distinctly original sound, their output still contributed to local explorations and remained somewhat in line with other genre-dissolving bands from eighties England like Rimarimba, This Heat, Woo, 23 Skidoo or Eric Random and The Bedlamites. More
Label:Futura Resistenza
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Release-Date:24.01.2022
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Label:Futura Resistenza
Cat-No:RESLP014
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1
Marc Matter - Could Change
As Could Change begins, you'll notice how little audio material is really needed for your brain to start turning things into things. The merest slice of a plosive becomes a beat. The notes buried in every vowel are a bass line that nobody's fingers can reach. And of course the lyrics are the music: a synthetic voice, stripped of its humanity, that will relentlessly call to your brain like a siren and beg you to make sense of what doesn't. This piece isolates your perceptive abilities in the audio realm the way an optical illusion works on your eyes. Its melody is the amount you'll struggle to turn sound into sense. On top of that, it's delightfully fucking annoying. Marc Matter first came around as part of Institut fuer Feinmotorik, The Durian Brothers and Salon des Amateurs and has been politely shoving vocal recordings through various sorts of blenders ever since. (Angela Sawyer)
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Label:Futura Resistenza
Cat-No:RESLP010
Release-Date:06.12.2021
Configuration:LP
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1
Yanik Soland - Wasps And Honey
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Yanik Soland - Tongue Twister
3
Yanik Soland - Soliloquy
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Yanik Soland - Nesuto
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Yanik Soland - Nachtgeflüster
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Yanik Soland - I Fucked My Sadness Feat. Stefan Tchierepnin
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Yanik Soland - Requim For A Snake
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Yanik Soland - Orbitual
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Yanik Soland - Higi Bells
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Yanik Soland - Loophole
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Yanik Soland - Aftermath
YUKI is the debut solo record by Basel-based multidisciplinary artist Yanik Soland. Inspired by film scores and sound design, YUKI is a 40 minute audio-piece in 11 chapters. Musical characters, each assigned a specific sound (such as a sampled quarter tone cembalo or synth voices) reappear across the chapters. With a background playing bass in bands, Soland utilises various collaborative modes on YUKI: his partner Marianna Angel appears on overdubbed iPhone-recorded piano, Stefan Tcherepnin plays guitar over one chapter, and a rehearsal recording with Gleb Glonti forms the canvas for another. YUKI--the name Soland's parents had planned to give him, if he were a girl--is Japanese for snow, snow-princess or luck, and is here used as an alter ego within Soland's practice. YUKI's touchstones include Laurie Spiegel, Mark Fisher, Ruins, Dean Blunt, Maryanne Amacher, Tyler The Creator, Heather Leigh and Gyorgi Ligeti.
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Label:Futura Resistenza
Cat-No:RESLP012
Release-Date:01.11.2021
Configuration:LP
Barcode:2021011218282
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Cat-No:RESLP012
Release-Date:01.11.2021
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Barcode:2021011218282
1
Bergur Anderson - Flock The Midnight Choir Breathing By The Ocean
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Bergur Anderson - Troubadour's Lament
3
Bergur Anderson - Theme Ascention
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Bergur Anderson - Architect Composer And The 600 Year Old Echo
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Bergur Anderson - Tenant's Support
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Bergur Anderson - Architect And Composer Perform Nightwalk
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Bergur Anderson - And Join Flock
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Bergur Anderson - Flock Performs Melisma X Featuring The Soloist
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Bergur Anderson - Tenant's Regret With Janitor's Commentary
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Bergur Anderson - Flock Mirrors The Moans Coming From Z 10
11
Bergur Anderson - Night Time Healer Performs Evening Healing Time
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Bergur Anderson - Tentant's Spiral Out
Welcome to the world of Night Time Transmissions -- here/hear the anxious calls of sleepless tenants, interdisciplinary collaborations, night walks, urgent canons and chants of cosmic healing. Bergur Anderson's first album is an ode to the voice, and a deep dive into the rich waters of polyphony and polyphonic storytelling.
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LP
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Label:Futura Resistenza
Cat-No:RESLP003
Release-Date:04.10.2021
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Cat-No:RESLP003
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1
Fernand Schirren - Dimanche
2
Fernand Schirren - Masques
3
Fernand Schirren - Cartoon Circus Part 1
4
Fernand Schirren - Cartoon Circus Part 2
Fernand Schirren was an exceptional musician and composer, rhythm teacher to Bejart and Anne Teresa De Keersmaeker, silent film accompanist of the Brussels Musee du cinema (now CINEMATEK) from its founding in 1962 until the 1980s, and eccentric collector of pipes and romantic postcards. He chose anything but a traditional historical-oriented approach, and left his avant-garde stamp on the film, dance and music worlds at home and abroad. This compilation gathers never before published works that Schirren specially composed for the short films 'Dimanche' by Edmond Bernhard in 1963, 'Masques' by Jean-Marie Buchet and Marc Lobet in 1959, and Cartoon Circus by Benoit Lamy and Picha in 1972. Some of the most intense and curious soundtracks cinema ever gave us.
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LP
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Label:Futura Resistenza
Cat-No:RESLP008
Release-Date:07.06.2021
Genre:Alternative/Electronic
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1
Das Ding - Nerd
2
Les Yeux Interdits - Prison
3
Das Ding - Dream Decay
4
Das Ding - If You Keep Putting Things In Perspective You Wind Up In A Vanishing Point
5
Das Ding - Intermission
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Les Yeux Interdits - Young And Strong
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Das Ding - 16 New Mix
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Ian Martin - I Can't Get Time
You would think that a small country like the Netherlands has very few isolated places, but buried in the south-west corner you will find the region of Zeeuwsch Vlaanderen. Just before the Westerscheldetunnel was built in 2003, the area was only reachable by ferry or over land through Belgium. By the late 1970s, in the region's small city of Terneuzen, a group of like-minded music lovers were inspired by punk music and formed a series of bands together. A number of the musicians first met in high school, and it is here where we find Danny Bosten (Das Ding) and his label Tear Apart Tapes. If you played music you had to have a label to release it and because you had a label you needed to make music. It was a logical and circular process, and despite being isolated, nothing stopped them from bringing new music to Terneuzen. Up till today the label releases cassettes just like in the olden days as well as a string of 7-inches with new music by Das Ding, Les Yeux Interdits and Ian Martin. Each of these releases carries a similar visual aesthetic to the label's early 1980s output. All of them sold out quickly, but luckily they are now collected here on this LP.
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Label:Futura Resistenza
Cat-No:RES7001
Release-Date:29.03.2021
Genre:Indie Rock/Alternative
Configuration:7"
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Genre:Indie Rock/Alternative
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1
Kimberly Clark - First Of May
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Kimberly Clark - I Hear Your Voice Is Dead
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Kimberly Clark - I Hear Your Voice Is Dead Other Version
Melancholic guitar songs made of endless loops in D minor, overlaid with crooked voices. This 7-inch single is a product of a couple of recording sessions during some dark and misty, bone chilling nights in Finland and a sweaty, hot summer's day in Rotterdam in 2019. Played with the same naivety of when you were heading to your first Labour Day demonstration as a fifteen-year-old teen.
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Label:Okay Nature Records
Cat-No:OKNR08
Release-Date:17.05.2024
Configuration:12" Excl
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1
System Olympia - Luce Rossa
2
System Olympia - Sanctified feat Working Men's Club
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System Olympia - Lenzuola Di Raso
4
System Olympia - Mi Dimentico
A Tempest Of Intimacy.
It's part of the nature of man to start with romance and build to a reality
and this is what System Olympia has done with this new 4 track EP.
Love, longing, and the restlessness of the heart and body are the foundation forces of this record.
"Luce Rossa" presents itself as an emblem of a credo, an irreverent manifesto delivered via daring melodies and empowering vocals.
System Olympia inhabits a world in which human senses are mightier than religion and "Sanctified" feat Working Men's Club is an ecstatic and highly articulated fusion of passion and redemption - a new truth about reality, whispered to your ear with infinite sweetness.
Poetic desire as a force of beauty and vitality is all over Lenzuola Di Raso. Fantasising in between satin sheets on the hottest day of the year because art and imagination mean freedom from the solitude of the mind.
Mi Dimentico makes beauty out of melancholy, and nostalgia out of the oscillation between resignation and demand.
Sanctified EP is naked skin over a sunken heart, and a soaring mind.
Tracklist:
A1 - Luce Rossa
A2 - Sanctified feat Working Men's Club
B1 - Lenzuola Di Raso
B2 - Mi Dimentico
More
It's part of the nature of man to start with romance and build to a reality
and this is what System Olympia has done with this new 4 track EP.
Love, longing, and the restlessness of the heart and body are the foundation forces of this record.
"Luce Rossa" presents itself as an emblem of a credo, an irreverent manifesto delivered via daring melodies and empowering vocals.
System Olympia inhabits a world in which human senses are mightier than religion and "Sanctified" feat Working Men's Club is an ecstatic and highly articulated fusion of passion and redemption - a new truth about reality, whispered to your ear with infinite sweetness.
Poetic desire as a force of beauty and vitality is all over Lenzuola Di Raso. Fantasising in between satin sheets on the hottest day of the year because art and imagination mean freedom from the solitude of the mind.
Mi Dimentico makes beauty out of melancholy, and nostalgia out of the oscillation between resignation and demand.
Sanctified EP is naked skin over a sunken heart, and a soaring mind.
Tracklist:
A1 - Luce Rossa
A2 - Sanctified feat Working Men's Club
B1 - Lenzuola Di Raso
B2 - Mi Dimentico
More
Label:Be With Records
Cat-No:bewith151lp
Release-Date:24.11.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804140690
in stock
Last in:19.10.2023
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in stock
Last in:19.10.2023
Label:Be With Records
Cat-No:bewith151lp
Release-Date:24.11.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804140690
1
Vecchio - Megaton (5:01)
2
Vecchio - Renegade (5:05)
3
Vecchio - Facade (3:18)
4
Vecchio - Chabati (3:11)
5
Vecchio - Green Hell (6:41)
6
Vecchio - Boss (3:55)
7
Vecchio - Nsambei (4:00)
8
Vecchio - Waboco (3:29)
9
Vecchio - Cult (4:37)
10
Vecchio - Ngoma-ku (7:04)
Territories: Worldwide no restrictions
Format Notes:
Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
SIDE ONE
Megaton 5:01
Renegade 5:05
Facade 3:18
Chabati 3:11
Green Hell 6:41
---
SIDE TWO
Boss 3:55
Nsambei 4:00
Waboco 3:29
Cult 4:37
Ngoma-ku 7:04
Release Notes:
Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.
Afro-Rock is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock FIRE! Hips will sway, heads will nod to the steady vibes. It's insanely good.
The humid, building funk of the appropriately titled "Megaton" is a dramatic explosion of swirling, dazzling organ lines, ferocious beats and heavy horns throughout. It just don't stop. The tempo slows slightly for the deep and deeply addictive "Renegade". It's all heavy jazz horn refrains, always triumphant, coupled with devastating percussive breakdowns and killer guitar riffing. It's an insistent organ-led juggernaut. The frenetic "Facade", up next, is no less driving, horns high up in the mix over rattling percussion and brilliant organs lines. Just sensational. The bright "Chabati" is another glorious extension of the optimistic Vecchio sound, the organs wilder than ever before. The moody "Green Hell" is a real highlight and closes out the A-Side with some outrageously funky refrains - be it horns, organ or guitars - and is complimented by gorgeous flute work that galvanises the piece, elevating it to downright heavenly status.
Knowing full well that he's on to a surefire thing, Vecchio opens the flipside in much the same vein. Indeed, "Boss" is yet another uptempo highlight, a sensual orgy of proud horns, hand percussion and melodic flute playing over driving organ and guitars. It's followed by "Nsambei", which is rightly adored for its briefly open drum break, fantastically propulsive percussion breakdowns throughout and the jazzy, loose organ and guitar shreds. The bright "Waboco" ups the tempo and the pressure, hanging on one hell of a guitar hook and infectious horn refrain. Perhaps foreseeing how this album would come to be viewed, the aptly-titled "Cult" is possibly the finest song on the record. Which is saying something, because this record is insanely good. Riding a steady, confident organ groove straight out the gate, the kinda melancholic flute line over the top serves as a beautiful counterpoint which the horns often come in and imitate/riff off. Goddamn this is so so good, it needs to be played everywhere. The overwhelmingly mighty 7-minute jam "Ngoma-ku" rounds out this quite staggering record brilliantly in its heavy, mid-tempo blues with countless extended solos.
The audio for Afro Rock has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Format Notes:
Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
SIDE ONE
Megaton 5:01
Renegade 5:05
Facade 3:18
Chabati 3:11
Green Hell 6:41
---
SIDE TWO
Boss 3:55
Nsambei 4:00
Waboco 3:29
Cult 4:37
Ngoma-ku 7:04
Release Notes:
Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.
Afro-Rock is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock FIRE! Hips will sway, heads will nod to the steady vibes. It's insanely good.
The humid, building funk of the appropriately titled "Megaton" is a dramatic explosion of swirling, dazzling organ lines, ferocious beats and heavy horns throughout. It just don't stop. The tempo slows slightly for the deep and deeply addictive "Renegade". It's all heavy jazz horn refrains, always triumphant, coupled with devastating percussive breakdowns and killer guitar riffing. It's an insistent organ-led juggernaut. The frenetic "Facade", up next, is no less driving, horns high up in the mix over rattling percussion and brilliant organs lines. Just sensational. The bright "Chabati" is another glorious extension of the optimistic Vecchio sound, the organs wilder than ever before. The moody "Green Hell" is a real highlight and closes out the A-Side with some outrageously funky refrains - be it horns, organ or guitars - and is complimented by gorgeous flute work that galvanises the piece, elevating it to downright heavenly status.
Knowing full well that he's on to a surefire thing, Vecchio opens the flipside in much the same vein. Indeed, "Boss" is yet another uptempo highlight, a sensual orgy of proud horns, hand percussion and melodic flute playing over driving organ and guitars. It's followed by "Nsambei", which is rightly adored for its briefly open drum break, fantastically propulsive percussion breakdowns throughout and the jazzy, loose organ and guitar shreds. The bright "Waboco" ups the tempo and the pressure, hanging on one hell of a guitar hook and infectious horn refrain. Perhaps foreseeing how this album would come to be viewed, the aptly-titled "Cult" is possibly the finest song on the record. Which is saying something, because this record is insanely good. Riding a steady, confident organ groove straight out the gate, the kinda melancholic flute line over the top serves as a beautiful counterpoint which the horns often come in and imitate/riff off. Goddamn this is so so good, it needs to be played everywhere. The overwhelmingly mighty 7-minute jam "Ngoma-ku" rounds out this quite staggering record brilliantly in its heavy, mid-tempo blues with countless extended solos.
The audio for Afro Rock has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
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Last in:15.03.2024
Label:U Jazz Me
Cat-No:UJM001
Release-Date:22.03.2024
Genre:Jazz
Configuration:LP
Barcode:5902860149316
1
Kosmonauci - Kosmochoojuwa
2
Kosmonauci - Aperol
3
Kosmonauci - Gaslarz
4
Kosmonauci - Fakda
5
Kosmonauci - Ostatni
6
Kosmonauci - Cygaretka
7
Kosmonauci - Smutne Gówno
8
Kosmonauci - Przerywink
U JAZZ ME is a boutique label rooted in U Know Me Records. Very limited editions only (numbered 100 copies).
180g black vinyl with insert and antistatic inner sleeve.
"Sorry, nie tu"is the debut album of the boys band KOSMONAUCI. The album consists of original compositions by the band members that were created over several years and evolved with the artists. The music of the Cosmonauts derives from jazz and improvisation, but over time the musicians have developed many new ways and possibilities to draw from many other, seemingly distant musical genres. Songs characterized by improvisation and rhythm of drum & bass or hip-hop are one of the characteristic features of the album "Sorry, nie tu". The music of the band KOSMONAUCI is stylistically extensive and at the same time very coherent, thanks to the combination of beautiful lyrical melodies with catchy and often surprising polyrhythms or bold improvisations. KOSMONAUCI have been playing together since high school, which can be heard very well in the chemistry of the whole band and the emotions flowing from the album. On March 21, 2024, the premiere of the debut album entitled "Sorry, nie tu" will take place. The album will be released by U Jazz Me, a sublabel of U Know Me Records. It will be the inaugural sublabel album.
KOSMONAUTS– a boys band originating from jazz traditions, which in its musical language draws onhip-hop,drum & bassandimprovisation. The instrumentarium, which includes saxophone (Milosz Pieczonka), bass (Bartlomiej Lucjan), vibraphone (Tymon Kosma) and percussion (Jan Pieniazek), creates a unique style of the group, balancing between emotional melodies and polyrhythmic structures. The roots of the band's music go back to the jazz traditions of the 1950s to the 1990s. Their current sound, on the other hand, is much more varied by the search for ideas in genres such as hip-hop, drum & bass, alternative pop or the contemporary London Yass scene. KOSMONAUCI have been playing with each other since high school and have known each other since elementary school. They went to school together, to the concerts and grew up together in the field of music as well. The artists have classical and jazz education, which gives them a wide range of possibilities in the field of improvisation, performance and composition. Each of them has an individual style and different inspirations, which find a common denominator in the band, allowing them to create a unique style of playing and sound. Despite the fact that they have been active on the music scene in Poland and abroad since 2018. Their first album is released in 2024. Over the past few years, KOSMONAUCI have had the opportunity to perform at renowned jazz festivals, collaborate with renowned artists and learn from the best artists in Europe. The resultant of all these factors is the band's debut album "Sorry, nie tu", which will be released on the sublabel of the U Know Me label - U Jazz Me. More
180g black vinyl with insert and antistatic inner sleeve.
"Sorry, nie tu"is the debut album of the boys band KOSMONAUCI. The album consists of original compositions by the band members that were created over several years and evolved with the artists. The music of the Cosmonauts derives from jazz and improvisation, but over time the musicians have developed many new ways and possibilities to draw from many other, seemingly distant musical genres. Songs characterized by improvisation and rhythm of drum & bass or hip-hop are one of the characteristic features of the album "Sorry, nie tu". The music of the band KOSMONAUCI is stylistically extensive and at the same time very coherent, thanks to the combination of beautiful lyrical melodies with catchy and often surprising polyrhythms or bold improvisations. KOSMONAUCI have been playing together since high school, which can be heard very well in the chemistry of the whole band and the emotions flowing from the album. On March 21, 2024, the premiere of the debut album entitled "Sorry, nie tu" will take place. The album will be released by U Jazz Me, a sublabel of U Know Me Records. It will be the inaugural sublabel album.
KOSMONAUTS– a boys band originating from jazz traditions, which in its musical language draws onhip-hop,drum & bassandimprovisation. The instrumentarium, which includes saxophone (Milosz Pieczonka), bass (Bartlomiej Lucjan), vibraphone (Tymon Kosma) and percussion (Jan Pieniazek), creates a unique style of the group, balancing between emotional melodies and polyrhythmic structures. The roots of the band's music go back to the jazz traditions of the 1950s to the 1990s. Their current sound, on the other hand, is much more varied by the search for ideas in genres such as hip-hop, drum & bass, alternative pop or the contemporary London Yass scene. KOSMONAUCI have been playing with each other since high school and have known each other since elementary school. They went to school together, to the concerts and grew up together in the field of music as well. The artists have classical and jazz education, which gives them a wide range of possibilities in the field of improvisation, performance and composition. Each of them has an individual style and different inspirations, which find a common denominator in the band, allowing them to create a unique style of playing and sound. Despite the fact that they have been active on the music scene in Poland and abroad since 2018. Their first album is released in 2024. Over the past few years, KOSMONAUCI have had the opportunity to perform at renowned jazz festivals, collaborate with renowned artists and learn from the best artists in Europe. The resultant of all these factors is the band's debut album "Sorry, nie tu", which will be released on the sublabel of the U Know Me label - U Jazz Me. More
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1
V.A. - A1. I Have A Dream
2
V.A. - A2. Dub Love
3
V.A. - B1. Hot Hands
4
V.A. - B2. Acid
4 Monstruous Tracks Straight From the Basement Feat. One of the Original House Music Creator Ron Hardy. All the Real Djs Were Looking for Those for Years. Grab It Before It's Sold Out, We Have Very Few Copies. a Must Have. Essential Item Limited Edition No Re-Press...
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Label:Time Is Now
Cat-No:TIN056
Release-Date:22.03.2024
Genre:2step/garage
Configuration:12"
Barcode:
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Last in:09.04.2024
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Last in:09.04.2024
Label:Time Is Now
Cat-No:TIN056
Release-Date:22.03.2024
Genre:2step/garage
Configuration:12"
Barcode:
1
Jeremy Sylvester - 90s Man
2
Jeremy Sylvester - Flashback
3
Jeremy Sylvester - In The Morning
4
Jeremy Sylvester - Wickedest Sound
5
Jeremy Sylvester feat. Maria Labelle - Yard Vibes
Tracklisting
A1 Jeremy Sylvester - 90s Man
A2 Jeremy Sylvester - Flashback
B1 Jeremy Sylvester - In The Morning
B2 Jeremy Sylvester - Wickedest Sound
B3 Jeremy Sylvester feat. Maria Labelle - Yard Vibes
Sales Note
Bristol label Time Is Now welcome UK legend Jeremy Sylvester to the family, serving up a killer cut of bumping 4x4 UKG goodness! More
A1 Jeremy Sylvester - 90s Man
A2 Jeremy Sylvester - Flashback
B1 Jeremy Sylvester - In The Morning
B2 Jeremy Sylvester - Wickedest Sound
B3 Jeremy Sylvester feat. Maria Labelle - Yard Vibes
Sales Note
Bristol label Time Is Now welcome UK legend Jeremy Sylvester to the family, serving up a killer cut of bumping 4x4 UKG goodness! More
Label:Boo Moonman
Cat-No:BMM30
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
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Label:Boo Moonman
Cat-No:BMM30
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
1
Boo Williams - A1. Can't Forget you (Instrumental)
2
Boo Williams - A2. All About The Music (Service Mix)
3
Boo Williams - B1. Replay
4
Boo Williams - B2. Last Thoughts Feat Jamiel Patton
BOO WILLIAMS coming thru with a slightly more chilled out vibe on this hand stamped 12", the 7th release in the limited series of 10 on his BOO MOONMAN imprint. BOO stretches his trademark cosmic sound out into deep space across 4 tracks of jazzy keys & floating synths. Perfect for sunrise sets
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2x7"
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Label:Dynamite Cuts
Cat-No:DYNAM7137
Release-Date:29.03.2024
Genre:Soul/Funk
Configuration:2x7"
Barcode:5050580817487
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Last in:10.04.2024
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Last in:10.04.2024
Label:Dynamite Cuts
Cat-No:DYNAM7137
Release-Date:29.03.2024
Genre:Soul/Funk
Configuration:2x7"
Barcode:5050580817487
1
Willie Dynamite 45 Collection - Keep on movin on - featuring Martha Reeves
2
Willie Dynamite 45 Collection - Willie D - featuring Martha Reeves
3
Willie Dynamite 45 Collection - Willie Chase / BBoy breaks and funky groove
4
Willie Dynamite 45 Collection - Parade Strut
We are so proud to be able to Offically release tracks from this mighty funky film score by JJ Johnson. Loaded with breaks and samples. Four tracks taken from the Willie Dynamite film score
A Keep on movin on - featuring Martha Reeves
B Willie D - featuring Martha Reeves
A Willie Chase / BBoy breaks and funky groove
B Parade Strut / Sampled by Massive attack for the classic "Unfinished symphony"
2x7 black vinyl x600 More
A Keep on movin on - featuring Martha Reeves
B Willie D - featuring Martha Reeves
A Willie Chase / BBoy breaks and funky groove
B Parade Strut / Sampled by Massive attack for the classic "Unfinished symphony"
2x7 black vinyl x600 More
Label:UK Jungle
Cat-No:ukj005
Release-Date:29.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:09.04.2024
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Last in:09.04.2024
Label:UK Jungle
Cat-No:ukj005
Release-Date:29.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
1
Supa Ape - Split a split second
2
Junglord - Ready for Retaliation
3
Sully & OmniRhythm - Next Level
4
Simply Dread - Hard To Tell
Tracklisting
A1 Supa Ape - Split a split second
A2 Junglord - Ready for Retaliation
B1 Sully & OmniRhythm - Next Level
B2 Simply Dread - Hard To Tell More
A1 Supa Ape - Split a split second
A2 Junglord - Ready for Retaliation
B1 Sully & OmniRhythm - Next Level
B2 Simply Dread - Hard To Tell More
2LP Excl
pre-sale
Label:Be With Records
Cat-No:bewith056LP
Release-Date:05.07.2024
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251648412533
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Last in:29.11.2022
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Last in:29.11.2022
Label:Be With Records
Cat-No:bewith056LP
Release-Date:05.07.2024
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251648412533
1
Marcia Griffiths - Here I Am Baby (Come And Take Me)
2
Marcia Griffiths - Everything I Own
3
Marcia Griffiths - Green Grasshopper
4
Marcia Griffiths - Play Me
5
Marcia Griffiths - Children At Play
6
Marcia Griffiths - Sweet Bitter Love
7
Marcia Griffiths - Gypsy Man
8
Marcia Griffiths - There’s No Me Without You
9
Marcia Griffiths - The First Time Ever I Saw Your Face
10
Marcia Griffiths - I Just Don’t Want To Be Lonely
11
Marcia Griffiths - Mark My Word
12
Marcia Griffiths - The First Cut Is The Deepest
13
Marcia Griffiths - Melody Life
14
Marcia Griffiths - Working To The Top (My Ambition) (Part 1)
15
Marcia Griffiths - Don’t Let Me Down
16
Marcia Griffiths - Band Of Gold
17
Marcia Griffiths - Put A Little Love In Your Heart
18
Marcia Griffiths - I See You, My Love
19
Marcia Griffiths - It’s Too Late
20
Marcia Griffiths - Baby If You Don’t Love Me
21
Marcia Griffiths - Love Walked In
22
Marcia Griffiths - When Will I See You Again
23
Marcia Griffiths - Play Me (Part 2)
Territory: Worldwide no exceptions
2024 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.
Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.
The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.
Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.
“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.
“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.
Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
TRACKLISTING
A1 : Here I Am Baby (Come And Take Me)
A2 : Everything I Own
A3 : Green Grasshopper
A4 : Play Me
A5 : Children At Play
B1 : Sweet Bitter Love
B2 : Gypsy Man
B3 : There’s No Me Without You
B4 : The First Time Ever I Saw Your Face
B5 : I Just Don’t Want To Be Lonely
C1 : Mark My Word
C2 : The First Cut Is The Deepest
C3 : Melody Life
C4 : Work And Slave
C5 : Working To The Top (My Ambition) (Part 1)
C6 : Don’t Let Me Down
C7 : Band Of Gold
D1 : Put A Little Love In Your Heart
D2 : I See You, My Love
D3 : It’s Too Late
D4 : Baby If You Don’t Love Me
D5 : Love Walked In
D6 : When Will I See You Again
D7 : Play Me (Part 2) More
2024 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.
Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.
The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.
Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.
“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.
“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.
Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
TRACKLISTING
A1 : Here I Am Baby (Come And Take Me)
A2 : Everything I Own
A3 : Green Grasshopper
A4 : Play Me
A5 : Children At Play
B1 : Sweet Bitter Love
B2 : Gypsy Man
B3 : There’s No Me Without You
B4 : The First Time Ever I Saw Your Face
B5 : I Just Don’t Want To Be Lonely
C1 : Mark My Word
C2 : The First Cut Is The Deepest
C3 : Melody Life
C4 : Work And Slave
C5 : Working To The Top (My Ambition) (Part 1)
C6 : Don’t Let Me Down
C7 : Band Of Gold
D1 : Put A Little Love In Your Heart
D2 : I See You, My Love
D3 : It’s Too Late
D4 : Baby If You Don’t Love Me
D5 : Love Walked In
D6 : When Will I See You Again
D7 : Play Me (Part 2) More
Label:Be With Records
Cat-No:bewith166lp
Release-Date:22.03.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Barcode:4251804144131
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Last in:27.04.2024
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Last in:27.04.2024
Label:Be With Records
Cat-No:bewith166lp
Release-Date:22.03.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Barcode:4251804144131
1
Bahamadia - Intro (0:50)
2
Bahamadia - WordPlay (3:17)
3
Bahamadia - Spontaneity (4:08)
4
Bahamadia - Rugged Ruff (3:08)
5
Bahamadia - Interlude (0:29)
6
Bahamadia - I Confess (4:06)
7
Bahamadia - UKNOWHOWWEDU (3:35)
8
Bahamadia - Interlude (1:09)
9
Bahamadia - Total Wreck (3:26)
10
Bahamadia - Innovation (3:23)
11
Bahamadia - Da Jawn (5:19)
12
Bahamadia - Interlude (1:05)
13
Bahamadia - True Honey Buns (Dat Freak Sh t) (3:41)
14
Bahamadia - 3 Tha Hard Way (4:12)
15
Bahamadia - Biggest Part Of Me (4:51)
16
Bahamadia - Path To Rhythm (3:24)
Territories: Worldwide no restrictions
Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29
B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23
C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41
D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24
Release Notes:
Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.
The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."
With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.
With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.
Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.
Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
More
Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29
B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23
C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41
D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24
Release Notes:
Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.
The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."
With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.
With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.
Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.
Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
More
Label:As We Enter
Cat-No:asw004
Release-Date:29.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:09.04.2024
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Last in:09.04.2024
Label:As We Enter
Cat-No:asw004
Release-Date:29.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
1
Unknown - Lover To Lover
2
Unknown - So Gone
3
Unknown - Come Again
4
Unknown - Shifting Gears
Tracklisting
A1 Unknown Artist - Lover To Lover
A2 Unknown Artist - So Gone
B1 Unknown Artist - Come Again
B2 Unknown Artist - Shifting Gears More
A1 Unknown Artist - Lover To Lover
A2 Unknown Artist - So Gone
B1 Unknown Artist - Come Again
B2 Unknown Artist - Shifting Gears More
Label:Bukva Sound
Cat-No:bukva006
Release-Date:29.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:09.04.2024
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backorder
Last in:09.04.2024
Label:Bukva Sound
Cat-No:bukva006
Release-Date:29.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
1
Response - Live Ur Life
2
Response & Pliskin - Virtuous
3
Response & Pliskin - Over The Hill
4
Response & Pliskin - Hate is Reality
Tracklisting
A1 Response - Live Ur Life
A2 Response & Pliskin - Virtuous
B1 Response & Pliskin - Over The Hill
B2 Response & Pliskin - Hate is Reality
Sales Note
Immerse yourself in the emotive sounds of Manchester's dynamic producer duo, Response & Pliskin.
Experience the exhilarating journey of their latest EP, "Live ur Life," a soul-stirring exploration within the realms of Breakbeat, Jungle & Drum and Bass. Enjoy! More
A1 Response - Live Ur Life
A2 Response & Pliskin - Virtuous
B1 Response & Pliskin - Over The Hill
B2 Response & Pliskin - Hate is Reality
Sales Note
Immerse yourself in the emotive sounds of Manchester's dynamic producer duo, Response & Pliskin.
Experience the exhilarating journey of their latest EP, "Live ur Life," a soul-stirring exploration within the realms of Breakbeat, Jungle & Drum and Bass. Enjoy! More