Rights: Rights: World excluding FR

Format: 1 x 140 grs Black Vinyl , 3 mm spine sleeve with UV Gloss finish, black dust inner sleeve, front sticker

TRACKLIST
1. Le Riffifi brille en jaune
2. Elvis has left the building
3. Hypnose en bas de gamme
4. Fin du monde
5. Playitloudornotatall
6. Le retour de Black Sabata
7. Contortionne-toi toi-même
8. Solo de boxe en conserve
9. Concinacion
10. J'entends des voix qui ont mauvaise haleine
11. Ceci est un enregistrement magnétique
12. One ne mange pas la choucroute de Veronica


BASIC BIOG

"Boom Boom" is the follow up of 2015's "Traité de guitarres triolectiques à l'usage des portugaises ensablées" . Pascal Comelade and Lionel & Marie Liminana aka The Liminanas wrote& performed together another album.12 new songs,written by Pascal Comelade & Lionel Liminana. Featuring "solo" guitarists long time friends of Pascal Comelade : Ivan Telefunken (from Bel Canto Orquestra, also playing live with The Liminanas), Xarim Aresté & Lalo Lopez.






More

Rights: World excluding FR & UK

Packaging: 1 x Crystal Clear Vinyl, Sleeve with UV gloss finish, black dust inner sleeve, marketing sticker

TRACKLISTING
A1 - Spooky Island
A2 – Air
A3 – Magik
A4 – Frenzymess
A5 – PAYBACK
A6 – Strangers

B1 – Dickstraction
B2 - Whispers (So Loud)
B3 – STARMANIAK
B4 - Eye Candy
B5 - Sad Lovers And Giants

SHORT BIOG
Introducing ‘‘Sad Lovers and Giants’’, a captivation debut album that delves into the personal journey of self-discovery and emotional exploration. Each song is a heartfelt expression of Crystal’s experiences, painted with raw honesty and authenticity. With a blend of genres and a focus on evoking emotions, this album showcases the duality, embracing both beauty and darkness.It’s a musical striptease, where she bares her soul, using her raw voice to convey the depth of her emotions. ‘‘Sad Lovers and Giants’’ transcends genres, aiming to touch hearts and connect with listeners on a universal level. It’s an intimate portrayal of the artist’s inner world, inviting you to join on a captivating journey of self-expression and personal growth.



More

Territories: Germany, Austria and Switzerland only

Packaging: 1x CD, 4 page Digisleeve gloss finish,booklet, marketing front sticker

SHORT BIOG
"Mother", Logic1000's debut album. "I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful," explains Samantha Poulter, the Berlin-based DJ and producer , who grewed up in the Sydney suburbs of Yarrawarrah and Botany Bay and better known to fans as Logic1000. "And with a lot less free time, you really make sure you make the most of any moment you get." That vitality and renewed sense of purpose is captured on Mother.Preceded by the single 'Grown On Me', the 12-track set is a laser-focused "love letter to house music", written in collaboration with her husband and long-time creative partner Thom McAlister (Cop Envy, Big Ever). Finding Poulter further fine-tuning her inventive, multi-genre approach, it's a crucial contribution not just to the world of dance but to the canon of art inspired by parenthood. As Poulter herself puts it, a little awed, "I never thought I would be capable of something so powerful."

TRACKLISTING


CD

01. From Within 02. Promises (Feat. Rochelle Jordan) 03. Can't Let Go
04. Side By Side 05. Self To Blame (Feat. Kayla Blackmon) 06. Cartier
07. Heartbeat 08. Saint Rex09. All U Like
10. Every Lil' (Feat. DJ Plead and MJ Nebrada) 11. Oceanic 12. Grown On Me

More

Territories: Germany, Austria, Switzerland only

Packaging: 2 X 140 grs Black Vinyl, Gatefold sleeve gloss finish, 2 x Black Dust Inner sleeve,marketing front sticker

SHORT BIOG
"Mother", Logic1000's debut album. "I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful," explains Samantha Poulter, the Berlin-based DJ and producer , who grewed up in the Sydney suburbs of Yarrawarrah and Botany Bay and better known to fans as Logic1000. "And with a lot less free time, you really make sure you make the most of any moment you get." That vitality and renewed sense of purpose is captured on Mother.Preceded by the single 'Grown On Me', the 12-track set is a laser-focused "love letter to house music", written in collaboration with her husband and long-time creative partner Thom McAlister (Cop Envy, Big Ever). Finding Poulter further fine-tuning her inventive, multi-genre approach, it's a crucial contribution not just to the world of dance but to the canon of art inspired by parenthood. As Poulter herself puts it, a little awed, "I never thought I would be capable of something so powerful."

TRACKLISTING

DOUBLE VINYL

Side A
A1. From Within A2. Promises (Feat. Rochelle Jordan) A3. Can't Let Go
Side B
B1. Side By Side B2. Self To Blame (Feat. Kayla Blackmon) B3. Cartier
Side C
C1. Heartbeat C2. Saint Rex C3. All U Like
Side D
D1. Every Lil' (Feat. DJ Plead and MJ Nebrada) D2. Oceanic D3. Grown On Me
More

Rights : World excluding Fr

Packaging: 1 x 140 G Black Vinyl, Gatefold Sleeve cmyk + Silver Panton, sticker

SHORT ENGLISH BIOG

Aurélien Hamm aka Saint DX introduces his debut album, "Way Back Home," due for release on January 26th . Although introspective & meditative , this album is more collaborative than ever: it features Ponko and Prinzly, with whom he co-produced Belgian rapper Damso's QALF album. As well as his friend and pianist Paul Prier & Jules Fradet. Renowned producer for Damso and Disiz, Saint Dx first came to prominence by accompanying Charlotte Gainsbourg on keyboards on her tour for the album 'Rest' . His pop and electronic- original soundtracks inspirations can be called Ultra-Classy Pop" and romantism. His new single 'Late' begins with an emotive, liberating cry and captivates with its potent synths.

VINYL TRACKLISTING

A1 - WAY BACK HOME
A2 - LATE
A3 - EVERYDAY
A4 - I DON'T NEED YOUR LOVE
A5 - JAMAIS VU LE JOUR
A6 - I LIVE IN THE PAST

B1 - DEALER
B2 - I DON'T CARE
B3 - ON & ON
B4 - TOUT PERDRE
B5 - DAWN BREAKS AROUND US



More

Rights : World excluding Fr & UK

Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker

VINYL TRACKLISTING

A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO

C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE


SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.

QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while

BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.

"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.





More

Rights: Rights: World excluding FR

Format: 1 x 140 grs Black Vinyl , 3 mm spine sleeve with UV Gloss finish, black dust inner sleeve, front sticker

TRACKLIST
1. Le Riffifi brille en jaune
2. Elvis has left the building
3. Hypnose en bas de gamme
4. Fin du monde
5. Playitloudornotatall
6. Le retour de Black Sabata
7. Contortionne-toi toi-même
8. Solo de boxe en conserve
9. Concinacion
10. J'entends des voix qui ont mauvaise haleine
11. Ceci est un enregistrement magnétique
12. One ne mange pas la choucroute de Veronica


BASIC BIOG

"Boom Boom" is the follow up of 2015's "Traité de guitarres triolectiques à l'usage des portugaises ensablées" . Pascal Comelade and Lionel & Marie Liminana aka The Liminanas wrote& performed together another album.12 new songs,written by Pascal Comelade & Lionel Liminana. Featuring "solo" guitarists long time friends of Pascal Comelade : Ivan Telefunken (from Bel Canto Orquestra, also playing live with The Liminanas), Xarim Aresté & Lalo Lopez.






More

Rights: World excluding FR, Germany, Austria & Switzerland

Format: 1 x CD, digisleeve, 2 wallets, 8 page poster booklet

CD
1 BECOME WHO YOU ARE
2 SENTINEL
3 SUCH IS LOVE
4 SUN IS OUT
5 CELEBRATE
6 NO WANT
7 UNDEFINED
8 NEVER WILL I LET YOU GO ft. Simi
9 STAMINA



BIOG
Patrice Bart Williams, also known as Patrice, is a singer,composer, producer and director from Germany and Sierra Leone. His career took off in 1999 with the release of the Lions EP. In 20 years, he has released a dozen albums. His music is a blend of reggae, soul, punk, folk and hip-hop. Over the years,
he has established his own unique style. He settled in Jamaica in 2020 and decided to build a studio in the
middle of the forest. This atypical location became a meeting place for artists and inspired Patrice to explore new territory. The "Super Sundays", live concerts held on the studio rooftop, were attended
by artists such as Richie Spice and Jesse Royal. In 2022, Patrice unveiled the Super Album, an unplugged best of where he reinterpreted his greatest hits including 'Soulstorm', 'Hippies With Guns', and 'Burning Bridges'.
Patrice returns in 2023 with a new album entitled '9', marked by rebirth and the symbolism of the colour blue. This album is the result of seven years' work, a veritable introspection into the depths of his emotions. "I was born on the 9th, the day my grandfather passed away. The notion of rebirth has always been present in my life, from my very first day. For my ninth studio album, I took the time to withdraw, to rebuild myself. The last seven years have been devoted to self-discovery, and it's this inner journey that has given life to this album." - Patrice





More

Rights: World excluding FR, Germany, Austria & Switzerland

Format: 1 x140 grs Black Vinyl, 45 Rpm, 3mm spine sleeve, black dust inner sleeve, 30cmx30cm 2 page insert

Tracklisting:

VINYL
A1 BECOME WHO YOU ARE
A2 SENTINEL
A3 SUN IS OUT
A4 CELEBRATE
B1 SUCH IS LOVE
B2 NO WANT
B3 NEVER WILL I LET YOU GO ft. Simi
B4 UNDEFINED
B5 STAMINA


BIOG
Patrice Bart Williams, also known as Patrice, is a singer,composer, producer and director from Germany and Sierra Leone. His career took off in 1999 with the release of the Lions EP. In 20 years, he has released a dozen albums. His music is a blend of reggae, soul, punk, folk and hip-hop. Over the years,
he has established his own unique style. He settled in Jamaica in 2020 and decided to build a studio in the
middle of the forest. This atypical location became a meeting place for artists and inspired Patrice to explore new territory. The "Super Sundays", live concerts held on the studio rooftop, were attended
by artists such as Richie Spice and Jesse Royal. In 2022, Patrice unveiled the Super Album, an unplugged best of where he reinterpreted his greatest hits including 'Soulstorm', 'Hippies With Guns', and 'Burning Bridges'.
Patrice returns in 2023 with a new album entitled '9', marked by rebirth and the symbolism of the colour blue. This album is the result of seven years' work, a veritable introspection into the depths of his emotions. "I was born on the 9th, the day my grandfather passed away. The notion of rebirth has always been present in my life, from my very first day. For my ninth studio album, I took the time to withdraw, to rebuild myself. The last seven years have been devoted to self-discovery, and it's this inner journey that has given life to this album." - Patrice



More

Rights: World excluding FR (and including the Uk)

CD TRACKLISTING
1 Arresting Marylin 2. Not sick just tired 3.Starving the dogs
4 Family lunch 5. Meet your new family 6.Mother leaving
7 In the name of God 8. Juan request for hearing 9.El Verdugo
10 Evelyn on the crime scene 11. New peaks of hysteria
12 Drained of emotions 13. Salma and the mirror
14 Way up to Broadway 15 . The bulging scrapbook 16. Dogs never lie
17 Romeo and Juliet and the dogs 18. Eagle-eyed ackerman
19 Shortcut to derelict school 20. Kids we have company
21 Do you like chili 22. Angels of the apocalypse 23. Gangbanger traps
24 We had a deal 25. They know what to do 26. Something in common
27 Walking to my death 28. Non, Je Ne Regrette Rien (par Edith Piaf)
29 Autumn star (par Sateen) 30. No Regrets (par Edith Piaf)



BIOG
The unbelievable story of a child who has been scared by life and finds salvation through the love of his dogs. This is the story of "Dogman", Luc Besson's new movie, shown at the Venice Film Festival and the Deauville American Film Festival, and starring Caleb Landry Jones. Besson returns to the dark tones of his first feature films, centred on a character on the fringes of society (Subway, Léon). He once again enlists the services of his favourite composer, Eric Serra (Le Grand Bleu, Nikita, Le Cinquième Element, etc.), who is responsible for the music of almost all his films. Serra's been working with a philharmonic orchestra, the Budapest Scoring Orchestra, for this soundtrack. On top of 27 Eric Serra's new musics, It also includes "Non, Je ne Regrette Rien" and its English version "No Regrets" performed by Edith Piaf and "Autumn Star" by Sateen. Collector Digipack CD.






More

Rights: Rights: World excluding FR (and including the Uk)

Format: Double 180 G Vinyl

TRACKLIST

Vinyl 1
A1. 5:55 - A2. AF607105
B1. The Operation - B2. Tel que tu es B3. The Songs That We Sing

Vinyl 2
C1. Beauty Mark -C2. Little Monsters - C3. Jamais
D1. Night-Time Intermission - D2. Everything I Cannot See

BIOG
2023 repress as double heavy weight black vinyl , with original artwork & gatefold sleeve. Originally released in 2006,even though 5:55 isn't technically Charlotte Gainsbourg's first solo album (that would be Charlotte for Ever, which was released [in 1986] when she was 15), it is her first solo album as an adult and, with the help of a dream team of collaborators, it's a fittingly sophisticated set that touches on her father Serge's brilliantly louche, literate pop without being overshadowed by it. Air's Jean-Benoit Dunckel and Nicolas Godin (who paid tribute to Serge Gainsbourg particularly well on 10,000 Hz Legend's 'Wonder Milky Bitch') wrote 5:55's delicate music, while Jarvis Cocker and the Divine Comedy's Neil Hannon penned its lyrics. This mingling of French and English influences is mirrored in Charlotte Gainsbourg's subtly expressive voice and accent, which provides the perfect complement to the album's lush sounds and vivid imagery.
More

Rights: Belgium, Switzerland,Canada

Format: 1 x 140 G Black Viny, Gatefold sleeve, black dust paper inner

TRACKLISTING

VINYL
A SIDE : 01 - Toxique exit 02 - Des fois 03 - Si j'avais su 04 - Pyromane 05 - La montagne 06 - La marée
B SIDE : 01 - Curseur 02 - Point de suture 03 - L'orage est passé 04 - Lucky Luke 05 - Méchant garçon

SHORT BIOG - ENGLISH
Revealed a few seasons ago thanks to the abrasive potential of their riffs, the French duo Bandit Bandit consisting of Maëva & Hugo imposes its musical genre, as well as an insolent ease to handle the French language, which one can hear in their amazing first album, 11:11.
In 2019 came the first show, the first music video, the first studio session. The name "Bandit Bandit" was born during a photo shoot with a friend, in a desert landscape, wearing scarves, boots and pistols. As for the repetition of Bandit, it is to better underline the duality of the project which, very quickly, found its own public, thanks to tracks as striking as "Maux", the first french-written one, and an imagination which incites the press to nickname them the Bonnie & Clyde of rock.
After two electrifying EPs, "Bandit Bandi"t and "Tachycardie", the duet needed to "explore further than the rock-genre itself" on a 11:11 produced by Azzedine Djelil (Rita Mitsouko, Catherine Ringer, Minuit, Lulu Van Trapp...). This first album mixes music genres, investigates pop music with all its amplitude, as a guiding thread between raw rock and the more sophisticated alternative style. Until now self-centered and cathartic, the texts of Bandit Bandit remain intimate on 11:11 while proving to be political, freed from prudishness, playing with words. Their unrestrained music resonates loudly throughout this album with a devouring desire as insatiable as contagious.
"11:11", frist album. Includes "Toxique Exit", "Si j' avais su " & " La marée ". Available on Cd & Vinyl.
More

Rights: Belgium, Switzerland,Canada

Format: 1 x CD, Digipack Sleeve 1 clear tray / 1 wallet, 12 page booklet, marketing sticker

TRACKLISTING

VINYL
1- Toxique exit 2- Des fois 3- Si j'avais su 4- Pyromane 5- La montagne 6-La marée
7- Curseur 8- Point de suture 9- L'orage est passé 10- Lucky Luke 11 Méchant garçon


SHORT BIOG - ENGLISH
Revealed a few seasons ago thanks to the abrasive potential of their riffs, the French duo Bandit Bandit consisting of Maëva & Hugo imposes its musical genre, as well as an insolent ease to handle the French language, which one can hear in their amazing first album, 11:11.
In 2019 came the first show, the first music video, the first studio session. The name "Bandit Bandit" was born during a photo shoot with a friend, in a desert landscape, wearing scarves, boots and pistols. As for the repetition of Bandit, it is to better underline the duality of the project which, very quickly, found its own public, thanks to tracks as striking as "Maux", the first french-written one, and an imagination which incites the press to nickname them the Bonnie & Clyde of rock.
After two electrifying EPs, "Bandit Bandi"t and "Tachycardie", the duet needed to "explore further than the rock-genre itself" on a 11:11 produced by Azzedine Djelil (Rita Mitsouko, Catherine Ringer, Minuit, Lulu Van Trapp...). This first album mixes music genres, investigates pop music with all its amplitude, as a guiding thread between raw rock and the more sophisticated alternative style. Until now self-centered and cathartic, the texts of Bandit Bandit remain intimate on 11:11 while proving to be political, freed from prudishness, playing with words. Their unrestrained music resonates loudly throughout this album with a devouring desire as insatiable as contagious.
"11:11", frist album. Includes "Toxique Exit", "Si j' avais su " & " La marée ". Available on Cd & Vinyl.
More

Rights: World excluding France, UK, Germany & Austria

1 x 140 G Black Vinyl, printed 3mm spine sleeve with spot UV gloss, heavy weight printed inner sleeve, 30cmx30cm insert, marketing sticker.

TRACKLISTING

VINYL

A SIDE : 1. READY TO CONNECT 2. MAD RUSH 3.ACT ONE (FEAT. MYKKI BLANCO) 4. IN YOUR HEAD NOW (FEAT. AZEKEL) 5. SOBA (FEAT. KOM_I) 6.FUTURE (FEAT. MARINA HERLOP)
B SIDE : 1. DOTTED LINE 2. THIS FEELING (FEAT. SOPHIE HUNGER) 3.RITUALS
4. CLOSER TO YOU (FEAT. DUANE HARDEN) 5. PERPETUATE 6. FAITH

SHORT BIOG
German neo-classical techno trio Brandt Brauer Frick is back with “Multi Faith Prayer Room” their fifth album and probably their mots ambitious to date . Recorded over the past two years, it includes collaborations with Mykki Blanco, Azekel, Marina Herlop, Kom_I, Sophie Hunger and Duane Harden. Their new album is a great example of their modern and hybrid approach to electronic music. The band still combines acoustic drumming and drums machines, syncopated layered bass and hectic Steve Reich-inspired piano to create simultaneously analogic and synthetic techno tracks.
The album comes hand-in-hand with an audio visual art installation by the same name which will be debuted at Art Basel Miami on December 1st . The band will be presenting the album live starting February 2023 with an extensive European tour, and more dates to follow.




More

Rights: World excluding France, UK, Germany & Austria

1 x CD , 4 page 4/4 Gatefold Sleeve,UV gloss finish, 8 page booklet, marketing sticker

CD
1. READY TO CONNECT 2. MAD RUSH 3.ACT ONE (FEAT. MYKKI BLANCO) 4. IN YOUR HEAD NOW (FEAT. AZEKEL) 5. SOBA (FEAT. KOM_I) 6.FUTURE (FEAT. MARINA HERLOP) 7. DOTTED LINE 8. THIS FEELING (FEAT. SOPHIE HUNGER) 9.RITUALS 10. CLOSER TO YOU (FEAT. DUANE HARDEN) 11. PERPETUATE 12. FAITH

SHORT BIOG
German neo-classical techno trio Brandt Brauer Frick is back with “Multi Faith Prayer Room” their fifth album and probably their mots ambitious to date . Recorded over the past two years, it includes collaborations with Mykki Blanco, Azekel, Marina Herlop, Kom_I, Sophie Hunger and Duane Harden. Their new album is a great example of their modern and hybrid approach to electronic music. The band still combines acoustic drumming and drums machines, syncopated layered bass and hectic Steve Reich-inspired piano to create simultaneously analogic and synthetic techno tracks.
The album comes hand-in-hand with an audio visual art installation by the same name which will be debuted at Art Basel Miami on December 1st . The band will be presenting the album live starting February 2023 with an extensive European tour, and more dates to follow.







More

Rights: World excluding the US

1 x 140 Grs Black LP , 3 mm printed sleeve – black inner sleeve

TRACKLIST
Face A :
A1 – Short term Agreement
A2 – Slump (Feat. Freddie Dredd)
A3 – Grub (Feat. Jeshi)
A4 – No Witness (Feat. Apoc Krysis)
A5 – 9873465923846637282385
A6 – TheRoom
A7 – External meMories
A8 – Saint-Laurent (Feat. 8ruki)
A9 – Focus point
A10 – SyntheticCigarette Interlude

B1 – Find the Bag (feat. baby.com & Lord Pusswhip)
B2 – HollowHunt
B3 – PANIC!
B4 – Everyday Further From You is a Better Day (feat. Arthrn)
B5 – Mosh O’Clock (feat Chlobocop)
B6 – Tell Me (feat. Pollari)
B7 – Alone (feat. Bitsu)
B8 – HEAD! SHOT!
B9 – Short Terme Agreement Pt.2

BIOG

The name NxxxxxS (pronounced "N-Five X-S”) sounds like it could be an equation, or a mystery. But to begin to unravel the identity of the French producer who just signed to Because Music and Mad Decent (the label founded by Diplo), you first have to look for clues on YouTube and Soundcloud, where so many underground artists have found a place to hone their craft. In the ten years preceding the release of his second album Short Term Agreement in 2023, NxxxxxS built up a solid reputation for himself in the international vaporwave, vaportrap & phonk scenes. This is no small feat considering he didn’t have any real knowledge of production or composition before deciding to take on these classic genres of “Internet music”.
The Paris native first gained exposure when he started making beats on YouTube, taking his inspiration from American rappers of the blog era - when artists, especially in hip hop, used digital technology to break away from traditional distribution models - like Mac Miller or Odd Future. Building on this initial success, NxxxxxS turned to Soundcloud, an essential platform for music enthusiasts, tastemakers or anyone on the lookout for the sounds of tomorrow.
Following in the footsteps of The Alchemist and other producers of the same ilk, NxxxxxS soon became one of the pioneers of vaporwave and vaportrap music. Featured prominently in modern productions, these styles originated on social media platforms such as Reddit or Tumbler in the 2010’s and are recognisable by their frequent use of commercial samples ranging from the 70’s to the 2000’s (taken from jingles, lounge, jazz or elevator music). Altered, chopped up and slowed down to around 60 to 70 BPM to match hip-hop standards, the music offered a critique or satire of capitalism, consumer society and any culture that grew out of it, most notably yuppies from the 80’s.
NxxxxxS put his own spin on the recipe by creating a new world filled with soaring melodies and countless references to movies and horror scenes, and eventually released his debut album Fujita Scale (a scale used to measure the damage inflicted by tornadoes) in 2014. The album reached a worldwide audience because of its composer’s story and of the secrecy around his French nationality, and even won over unexpected fanbases such as the highly closed off Chinese market. Fujita Scale landed on one of China's streaming platforms, making NxxxxxS an identifiable artist in Asia who went on to tour his album three times across the continent.

NxxxxxS kept the ball rolling, collaborating on a new series of more accessible projects, which aimed to be less niche in terms of the references or sub-genres they tapped into, so he could find a new audience. This led to his first hits, “Synthetic Corporation” - which would also become the name of his label - “Remember Last Summer” and “Formatted Excess”, as well as his most popular track to date, “Playa Shit”, with over 11M streams on Spotify. The upcoming album’s title, Short Term Agreement, is a playful reference to his unyielding desire for independence and productivity, and his eagerness to preserve the personal freedom he turned into strength.
Yet NxxxxxS is never one to refuse support, and he has now joined forces with Because Music & Mad Decent to further establish himself as a producer at the international level - alongside Diplo especially, who is a case in point - so that this understated and ever prolific artist can meet his ambitions of widening his audience and have his name known by all.
And so the tracks on Short Term Agreement serve as the foundation for NxxxxxS' new identity, featuring a rich and diverse array of sounds thanks to the numerous guests involved: London rapper Jeshi - a new British rap phenomenon also freshly signed to Because Music, French rappers 8ruki & Bitsu, Canadian Freddie Dredd and American underground talents Pollari and Baby.com. Avoiding the pitfalls of a compilation-like producer album, NxxxxxS has once again carved out his own style from the modern hip hop rule book.

In other words, NxxxxxS’ constant evolution has brought us this much closer to solving the mystery that is his name.
More

RSD 2023 Exclusive - Don't sell before the RELEASE DATE April 22, 2023.

World excl Fr & UK

Packaging: 2 X Black 140G LP, Gatefold Sleeve.

TRACKLIST
A1 - Snatcher – feat. Oliver Howlett A2 – Downfall – Part.1 A3 – Not our War A4 – Heritage
B1 – Bright Future B2 – The Iron Lady B3 – Master Plan – feat. Oliver Howlett
B4 – Don’t be a traitor feat. Oliver Howlett B5 – Fuzzy Thatcher B6 – She had to be Believed B7 – War
C1 – Broken Dreams – feat. Oliver Howlett C2 – Num Confrontation C3 – Chaos C4 – Business as Usual
C5 – Revolting
D1 – Tears Don’t Lie D2 – Way of Her Cross D3 Ambiguous Memories D4 – Downfall Part.B

PRODUCT INFOS
Exclusive Record Store Day Double Gatefold LP. 100 % New original songs done by the psychedelic french garage duo The Liminanas & german-french music composer David Menke for the forthcoming Arte documentary "Thatcher's Not Dead" dedicated to Margaret Thatcher. The only physical edition done is the this Double LP for the Record Store day.

More

Rights: World excluding France

Packaging: 1x 140 G Black Vinyl, Printed 3mm spine Sleeve

TRACKLIST
Face A : 1- Black Starliner 2- Door Peeper
Face B : 1- Fire Fire 2-Hello Carol

BIOG
When Don Cavalli chants down Babylon : Don Cavalli has just done 4 brillant covers of Reggae Classics he loves in his own blues & rockabilly way.4 song EP : “Hello Carol” (Gladiators”) , “Fire Fire” (Peter Tosh) , “Door Pepper” (Burning Spear) & “Black Starliner” (Culture).


More

Format: CD

GENRE/S: modern classical

TRACKLISTS:

SIDE A
1. The Realm of Imagination 12:27
2. Preserved in Memory 8:54
SIDE B
3. In Beautiful Dreamland 4:06
4. Unfinished Conversation 7:19
5. Requiem for the World 5:43





SHORT INFO:

Grand Canyon

the trip of a lifetime.

You're locked in beauty, the memories of the limestone, the secrets of the mountains.

When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;

but they suddenly disappear, like fantastical dreams, illusions, or mirages.

You become a traveller in the land of dreams and Fata Morgana.

It's a place, where only Silence speaks.

And it was this Silence that inspired me to compose
"Melancholy".

Zbigniew Preisner

More

NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. MERRY BLUES - A2. BIXO - A3. ELDORADO 1997 - A4. PROMISCUITY - A5. LA PRIMAVERA - A6. ME GUSTAS TU - B1. DENIA - B2. MI VIDA - B3. TRAPPED BY LOVE - B4. LE RENDEZ VOUS - C1. MR BOBBY - C2. PAPITO - C3. LA CHINITA - C4. LA MAREA - D1. HOMENS - D2. LA VAÇALOÇA - D3. INFINITA TRISTEZA More

Nicolas Jaar has graduated-- Space is Only Noise is a tour de force with few modern equals, and a great sign of things to come from one of electronic music's most exciting producers.
Tracklisting:
01 . être
02 . Colomb
03 . Sunflower
04 . Too many kids finding rain in the dust
05 . Keep me there
07. Problems with the sun
08. Space is only noise if you can see
09. Almost fell
10 . Balance her in between your eyes
11 . Specters of the future
12 . Trace
13 . Variations
14 . ^tre

More

Format Notes: 2022 re-issue, 140g vinyl, gatefold sleeve, remastered from the original tapes

Territories: Worldwide no restrictions

Track List:

A1 : Origins (2:57)
A2 : Bull Dance (8:17)
A3 : Ariadne (7:47)
A4 : Arena Part I (1:49)

B1 : Arena Part II (5:12)
B2 : Exultation (6:02)
B3 : Naxos (12:22)

Release Notes:

Labyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

At this point Carr had parted ways with guitarist Alan Holdsworth and as a result the Nucleus sound found itself returning to the core elements of groove and melody. Carr had become bolder and more self-confident in his compositions and it shows in the sheer ambition of Labyrinth. Composed by Carr, and with lyrics written by his wife Sandy, Labyrinth was the result of a commission from the Park Lane Group and funded by the Arts Council of Great Britain. Originally a live performance by an augmented Nucleus, some of the expanded cast were brought back for the recording sessions, including vocalist Norma Winstone. So as the front cover of the finished album says, this is literally “Nucleus Plus”.

Labyrinth is presented as a suite, based on the ancient Greek legend of the Minotaur with musical instruments representing the various elements of the mythology. According to the LP’s original sleeve notes, the bass clarinet represents the tragic element, the trumpet represents the heroic element and the voice represents the human element. The rest of the musicians represent the two societies of Athens and Crete and their comments on the story as it unfolds.

The album opens with the experimental, sumptuously dissonant “Origins”. Teasing strands of atmospheric bass clarinet introduce the first theme before swiftly fading out with a startling blast of staccato fanfares and big drums. Heavy. The album soon finds its rhythm as it alights on the spell-binding and groove-friendly “Bull-Dance”, showing off the best Nucleus has to offer: subtle trumpet melodies, compelling rhythms, a psych-rock vibe and tight soloing. And of course there’s Norma Winstone’s stunning wordless vocals, that also take the lead in the next track “Ariadne”, a spacey-jazz song with beautiful piano, flute and clarinet, and the only recognisable lyrics on the album. You might recognise a snatch of it being looped by Madlib on Quasimoto’s “Astro Travellin”. The first part of the improvised “Arena” closes out the first side of the album, a short experimental piece with piano and horns.

Over on the flip-side, the powerful second part of “Arena” introduces a new theme. It swiftly builds, with vocal melodies, piano and horns all pronounced over the thick drums snapping your neck. It comes on like an alternate take on “Bull-Dance”, noisier, with a looser rhythm. The triumphant, shuffling Latin-jam “Exultation” leans on more scintillating vocals from Winstone, and a chunky counter melody from the rhythm section. It’ll get you moving.

The final track, the haunting, twelve minute “Naxos”, is an incredible way to close out this remarkable record. A circling bass guitar loop inspiring the group to a meditative psychedelic jazz rock improvisation in a silent, Miles kind of way, with a great flugelhorn solo from Carr and an ace synth climax.

This Be With edition of Labyrinth has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. Another great Keith Davis sleeve has been restored in all its airbrushed Golden Age of comics, gatefold splendour. Complete with Minotaur of course.
More

2022 Repress, Format: 140g 12” Black marbled Vinyl

Tracklist:

A1 Weltschmerz
A2 Damage Control
B1 Lonesome
B2 Relatives Of None
B3 Weltschmerz (Melodic Theme)

Release Info:
"Lead track ‘Weltschmerz’ is a Berghain classic; dark, massive, trippy, and with an emotional character all too rare within the genre. The kicks are banging, the verbed out percussion is fierce, and it all moves around a haunting melodic breakdown that artfully dances on the right side of ‘progressive.’ It’s a killer track that perfectly sets the tone for the whole record.

‘Damage Control’ is a straightforward flex-a-thon, a housier rhythm that struts along confidently. The technical term is ‘floor-filler.’ ‘Lonesome’ brings the emotion back, with it’s super-tense, unresolved melodies, this is perfect for all your mega-club yearning & gurning needs. ‘Relatives of None’ is the nastiest of the bunch, and probably the most at home on Turbo, built around a screechy synth hook. Finally, ’Weltschmerz (Melodic Theme)’ provides an epic ambient outro, crystallizing the emotional tones of the EP and establishing a sense of artistic vision that ascends well beyond the pedestrian.”
More

Territory - NO Sales to Japan
Ryo Fukui's 1977 highly sought-after jazz gem MELLOW DREAM in a Deluxe Limited Edition 2018 Reissue CD

We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound as and on digipack CD.

Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.

After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.

Tracklisting CD
01 Mellow Dream
02 My Foolish Heart
03 Baron Potato Blues
04 What's New
05 Horizon
06 My Funny Valentine
More

Territories: World excl. UK + North America

FORMAT: 2x12" 180g vinyl, full printed sleeve, dl card

TRACKLIST
1/A Remnants Of What Once Was 09:52
2/B Black Jackal Throwbacks 11:46
3/C Returning To The Purity of Current 08:22
4/D At The Heart Of It All 10:43

RELEASES INFO
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the nest in this collection were contributed by Surgeon: “Basictonalvocabulary”,
“Balance” and “Force + Form” all originally came out on the Berlin institution between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases on Tresor. Tresor Records have decided
that its high time to give these seminal albums another airing, and will present each in a staggered series of 2LP
represses throughout the year.
“Force + Form” is the last chapter of this re-issue series, centered around Surgeon and represents a turning point
both in the artist’s career as well as for the history of techno music. Tresor117 was remastered in 2015 by Matt
Colton at Alchemy Mastering, London. More

- First Album of Legendary project Porter Ricks
- Original Release on Basic Channel


Genre: Electronica, Dub-Techno

Tracklist CD:
1. Port Gentil - (12:26)
2. Nautical Dub - (05:49)
3.. Biokinetics 1 - (05:20)
4. Biokinetics 2 - (08:30)
5. Port Of Call - (09:12)
6.. Port Of Nuba - (08:05)
7.. Nautical Nuba - (08:56)
8. Nautical Zone - (12:06)

Info:
Techno isn't a genre that has birthed many consistent albums, and the dub techno subgenre even less so, but one indisputable classic is Porter Ricks' debut 'Biokinetics'. Originally issued on the legendary Basic Channel sub-label Chain Reaction in 1996 following a trio of 12"s, 'Biokinetics' was the first of the label's album releases, and still stands as its crowning achievement. Porter Ricks are Thomas Köner and Andy Mellwig, and between them they re-framed the techno sound, imbuing the spacious ambience pioneered by label bosses Mark Ernestus and Moritz Von Oswald with a frosty, isolated experimental bent, and combining it with the sort of haunted minimalism of early Plastikman.
What separated 'Biokinetics' from other albums at the time was its unwavering narrative - the exact sound has been interpreted countless times since, but the immersive qualities of this singular record have rarely been touched. Maybe it is down to the silvery underwater concept that ties each track together - the bubbling pads, sub-aquatic basses and muffled kick drums. But as with any great album, it's hard to exactly put your finger on what makes it a classic. Simply put 'Biokinetics' is one of the most important records in the genre and one of techno's finest albums. It has been re-released ten years ago by Type Records, and now Mille Plateaux is celebrating Porter Ricks' and Biokinetics' 25th anniversary with this edition.

More

Finally this very sought after LP from 2021 gets a repress!

Be quick! lim. transparent vinyl release.

A1 Funeral Canticle
A2 Trembling
A3 Positivism
A4 Sphere
B1 Birthday
B2 Sonnet 29
B3 Visions
B4 The Future
B5 Micro-Story
More

30 YEARS ANNIVERSARY VINYL REMASTERS

Vinyl only
Remastered


GENRE/S:
Progressive House, Techno, Trance

TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)

SHORT INFO:
Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions. Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.

Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.

Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.

In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.


More