From Edit To Edit (Limited Repress)

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Format Notes: 140g vinyl, extended versions, cut at 45rpm

Territories: Worldwide no restrictions

Track List:

A1 : No Limit (Extended Version) (6:33)
B1 : Do It Till The Fluid Gets Hot (Extended Version) (6:00)

Release Notes:

Be With presents hen’s teeth extended cuts of two glorious Breakwater classics - “No Limit” and “Do It Till The Fluid Gets Hot”. These super-rare Arista promo-only 12" versions from 1978 have never been commercially available until now. Originals have regularly sold for upwards of £400 in the past 10–20 years so you know how vital this is.

Breakwater’s futuristic boogie-funk glider “No Limit” is six and a half minutes of slickness on wax. It’s almost AOR. Like an infinite masterpiece, the chilled opening chords of the intro could go on forever - and they almost do - but when they give way to the power-funk groove, the track just slaps. It sounds so fresh today, over 40 years on, thanks to the smooth, smooth mixing of Jimmy Simpson. In no uncertain terms this is a monster, written by the great Grey and Hanks. That bassline, those keys, the horn section… all the ingredients are there. Ahead of its time by a good 3 or 4 years, some regard “No Limit” as the first 80s groove ever recorded in funk/soul history. A neat trick, given its year of production.

On the flip, the six minute version of “Do It Till The Fluid Gets Hot” is an original Philly party jam. A showcase for Breakwater’s phenomenal intensity, this sounds like Parliament’s “Flashlight” on steroids. Acidic synths bleep and warp, blending with triumphant horns, in-the-pocket drums and bumping bass to conjure a truly deep funk groove. Laying deep in the cut, the salacious vocal delivery only adds to the brilliant sleaze.

Breakwater had a sonic aesthetic beamed in from the future and these two tracks are just more proof of that. Remastered and cut loud for devastating dance floor dynamite, this vinyl reissue arrives just in time for all those (perhaps imagined) BBQ Boogie Throwdowns. This is a true modern soul double-sider, essential in every way.
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Rights : World excluding Fr

Packaging: 1 x 10’’ Black vinyl, printed sleeve, includes a poster 10’’

PRODUCT INFORMATION/ SHORT BIOG
“Daaaaaali”, the new movie of Quentin Dupieux (aka Mr Oizo) .
Original music / OST by Thomas Bangalter .
2 track Black 10’’ EP , includes a poster. Limited edition.


TRACKLISTING

A SIDE:
Daaaaaali
B SIDE :
Âge Réel



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2023 repress

Format Notes: remastered, 180g vinyl, expanded to double LP, gatefold sleeve

Track List:
A1 : Intro Lectric Chile Goat (0:56)
A2 : Abierto (3:59)
A3 : Organism (4:07)
A4 : Thank You MK (3:50)

B1 : Tatanka (4:09)
B2 : Interlude Train Of Thought (1:20)
B3 : It Gets Heavy (3:23)
B4 : Thin Brown Layer (4:39)

C1 : Interlude So Many Years Ago (0:45)
C2 : Terra Unfirma (4:05)
C3 : Gettin It Together (3:22)
C4 : Another Brother Gone (2:28)
C5 : Broken Blood (3:47)

D1 : Interlude And The Day Goes By (1:28)
D2 : Lost Unfound (3:32)
D3 : The Color Of Life (3:57)
D4 : Falling Awake (3:56)


Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.
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Territories:
Worldwide no exceptions
Format:
double LP
Format Notes:
2019 re-press, remastered, 180g vinyl, expanded to double LP, gatefold sleeve

Track List:

A1 : Blue Masses
A2 : Four Trk Samba
A3 : Tiny
A4 : Numb Millenium

B1 : 100 Years
B2 : Pescadito
B3 : Azucar

C1 : Flux And Meter
C2 : It’s Raining Again
C3 : Today Like Everyday
C4 : Soul Miner

D1 : As The Sea Holds Creatures Vast And True
D2 : So Blue It’s Black
D3 : Little Chin

Release Notes:

It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.

The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.

There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There's a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we're honoured to reintroduce.

The originals were quietly pressed on to a single piece of vinyl so we've worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.

A Little Bit Of Somethin’ is a quietly majestic gem. Brimming with Guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an LP that is aptly titled. An enchanting start-to-finish listen, it was instantly regarded as essential upon release via Mo Wax in 2000. It has aged remarkably well.

Throughout this inspired collection, simplicity is key. In deploying it, Guerrero presents a beautifully crafted melodic soundscape. The distinctive, mellifluous approach of his guitar style, blending Brazilian, Cuban, Mexican, soul and jazz motifs, is at once startlingly new and tantalisingly familiar. Set against unrushed percussion, the music releases a crystal clear stream of healing frequencies to create a fragile, hypnotic atmosphere.

Each track clocks in at around three minutes and, with a lack of studio polish or commitment to traditional song structure, it’s a wonder how this enigmatic record demands your attention. However, through its gentle dynamism and impressive playing, it does just that. Whilst resolutely low-key, this lo-fi aesthetic feels genuinely organic and remarkably personal; its powerful intimacy truly connects. It’s what makes this album so beloved of those lucky enough to be already familiar with it. From Margaret Kilgallen's truly iconic cover artwork to the music contained within, it's all brilliantly effortless.

Guerrero’s musical ideas are consistently compelling throughout, making it impossible to select highlights. The album’s laconic drift touches upon jazz-fusion workouts and slow-mo hip-hop drums, Tortoise-style experimental post-rock and cinematic sound textures. It’s at once hazy, light and bouncy yet sombre and bluesy. The Latin soul of El Chicano blends with the breezy jazz of Grant Green. By employing guitars and drum machines to create a stripped down rhythmic tapestry of spellbinding, addictive songs, there are even traces of The Durutti Column. A little bit of country, a little bit of rock & roll. A Little Bit Of Somethin’, indeed.
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