** UNRELEASED DYKE & THE BLAZERS-COVER FUNK BOMB **

Taken from the forthcoming "Movements Vol.12" compilation album, "Funky Broadway" by The Villagers has never been released - until now. The B-side features the Garage-Rock cut "You're My Baby (Don't You Forget It)" from 1966, the same year as Dyke & The Blazers recorded the original version of "Funky Broadway". More

** ULTRA-RARE SOUL / DEEPFUNK 45 **

One of Washingtons finest 45s meets rarity and quality head on. Although rarity is not the main reason for us here at TRAMP to re-release something, obviously it adds some fun to the game knowing that original copies of both WILLIAM CUMMINGS 45 RPM singles sell for a four-figured amount - if they turn up at all. More

** FIRST TIME ON 45 **

We comped "Natural Life" on one of our "Peace Chant" compilations some time ago. We always felt the need to do a 45 of it so here it is. Some of you may think, well that's an average jazz-funk cut so why on earth are they doing a 45 of it? Well, drop the needle on Part 2 and you will understand. More

Phenomenal soul/funk 2-sider which has deserved a repress so badly. "BI-CENTENNIAL - 1976" has been comped on the fourth volume in the "CAN YOU FEEL IT" compilation series. The flip side, "LOVE ONE ANOTHER", was featured on "COUNTDOWN TO... SOUL 2". Now available on a good old 45 RPM single re-issue. More

MUSIC FOR A SUNDOWNER – Melodic AOR / Yacht Rock from GermanyTramp fans will already be familiar with the band "People", as they were featured on the latest edition of the "Praise Poems" series (Volume 9, TRLP/CD-9109). "Misty Mood" was not only the song we included on Praise Poems 9 but also the title of their debut album from 1981. However, it wasn't their first release on Vinyl.In 1969, two years after the group was founded, a 7-inch single EP with four folk songs was released, by then under the name "The People". With Woodstock and the changes in folk and rock music in the early 1970s, bandleader Bernd Heyder dissolved the band. A few years later he founded "People", whose sound was now based on artists such as Crosby, Stills and Nash and Neil Young. After many frenetically celebrated live performances, the desire to record a full length album arose at the end of the 1970s. In 1981 the time had come and "Misty Mood" was released on a small, local label called "Ohrwurm Records". Just one year later the band released their second album titled "Easy Going". Their third and final album, which exclusively contains songs with German lyrics, was released on CBS Records in 1983. CBS wanted to sign Bernd Heyder as a solo artist, but he politely declined. When the hoped-for success failed to materialize, CBS prematurely terminated the band's contract. In 1984, "People" disbanded.With the stunning LP release "Natures Melody", Tramp Records honors Aschaffenburg's "People" after almost 45 years. The reason why no one has really taken an interest in them so far may be because the original Vinyl records are anything but rare. For the 'people' behind Tramp Records, this is absolutely insignificant, it's simply the music what counts. And the songs are so extraordinary that we are proud to set up a special monument to the band with this album. More

Superb funky-soul tune which was comped on the incredible "Natural Resources II" compilation album. The original 45 is tricky to find so most of the soul music aficionados out there should be pleased with this reissue. More

Two superrare & heavy funk cuts from Donnie Sanders. "Shing A Ling Baby" can be found on the incredible "Feeling Nice Vol.4" compilation album. "Naptown USA" is completely unknown and waits to be discovered. More

** German Disco - first time on 7" ** "Matter of Taste" released their debut album on the small german Flame label in 1979. "Step By Step" is a monstrous Disco track while the flip side ("Haselief") is completely different and certainly surprises the listener. More

** Re-issue of an ultra-rare modern soul 45 ** "Without Your Love" is a wonderful, uplifting modern soul tune which was recently comped on "Praise Poems Vol. 9". The original 45 RPM single is ultra-rare and extremely hard to find, so this reissue is here to please a lot of music lovers. More

Debut album by Sunbörn (formerly The KutiMangoes!) On their first album as Sunbörn, the Danish 6-piece digs into what connects us as human beings: we are all born under the same sun and are connected by the same forces of nature. Meeting the world and connecting through music has been a vital mission for our band from day one, and again and again on our travels we have experienced how music can cross borders, build bridges and connect us with people from different backgrounds and cultures in shared experiences. In times when the world is tearing itself apart it is clear that music has the power to reach across divides and remind us of our common humanity. Sunbörn's self-titled ablum features collaborations with artists from all over the world: Caio Marcio (BR), Ida Nielsen/Bassida (DK), BIGYUKI (JP/US), DJ Opolopo (S), Clap! Clap! (I) & Moderator (G). Quality Gatefold-LP pressed on yellow vinyl! More

*** ULTRA-RARE PSYCH/SOUL 45 AS COMPED ON PRAISE POEMS 9 ***
The Tramp crew is extremely pleased to announce the re-release of AOH's masterpiece "The Answer Lies In Love" on 45 RPM single. Backed with the equally strong psych-funk tune "Third Eye", this reissue will be without doubt a future collector's item. More

REAL, DEEP FUNK WITH A PSYCHEDELIC NUDGE. Representing Seattle Funk. The Oscillators' debut 45 RPM single is deep, raw and energetic. Led by drummer oLLi kLoMp, the line up features members of the polyrhythmics, Rippin' Chicken, the Pulsations, Lucky Brown, the Trueloves, 45th Street Brass, The S.G.'s, and more... This 45 RPM single is limited to 300 copies and contains two non-album tracks. More

The Tramp crew is extremely proud to release Gus Brendel's mod-soul monster "Sax On The Rocks" for the first time on 45! On the flip you find a great tittyshaker titled "Arabian Nights" which was recorded two years earlier. Essential dance floor material - one for the hip djs! ***FIRST TIME ON 45!!!*** More

Representing Seattle Funk. The Oscillators' debut album is deep, raw and energetic. Led by drummer oLLi kLoMp, the line up features members of the polyrhythmics, Rippin' Chicken, the Pulsations, Lucky Brown, the Trueloves, 45th Street Brass, The S.G.'s, and more... REAL, DEEP FUNK WITH A PSYCHEDELIC NUDGE. More

** Raw, Deep and Spiritual Jazz 1966-2018 **
The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfathomable. Indeed, some of these tracks sound as if they may have literally been plucked from the ancient hands of some towering golden idol. But this quest was no looting effort, no. The Gods, as well as the artists and their families were fairly compensated through Tramp Records' rigorous and historically conscious licensing efforts. Some of the treasures herein include, from Volume 5, a German gospel/modal jazz hybrid replete with flutes and vibes (and even a surprise gospel choir) reminding us not to 'speak when we should be silent' called "Ich Rede Wenn Ich Schweigen Sollte"; Indian jazz/rock fusion outfit Jazz Yatra Sextette's literal peace chant, "Shanti" led by Louis Banks (real name Dambar Bahadur Budaprithi), who worked with Embryo and John Maclaughlin; and Ron Wilson Trio's walking meditation and study on the beauty and rhythm of "Zimbabwe" in 3/4. More

The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfathomable. Indeed, some of these tracks sound as if they may have literally been plucked from the ancient hands of some towering golden idol. But this quest was no looting effort, no. The Gods, as well as the artists and their families were fairly compensated through Tramp Records' rigorous and historically conscious licensing efforts. Volume 6 ululates with a rich flute and Fender Rhodes-rich microtonal fusion called "Cataracts" by Musica Orbis that even comes with some sparkling Afro-harping moments ala Dorothy Ashby; a 5/4 dreamscape conjured by the Fredric Rabold Crew called "Januschka" with enraptured wailing soprano; and a very interesting and likely heretofore unheard version of a tune that, in Dizzy's words, "... has withstood the vicissitudes of the contingent world and rocketed in an odyssey into the realm of the metaphysical...", A Night in Tunisia, with rich vocals and scatting. More

After 8 years and 8 volumes, the Tramp Records crew invites you to join them on yet another enlightening journey into soulful Jazz, Folk and AOR from the 1970s and 80s. This 9th volume contains sixteen (almost) forgotton Soul, Jazz and AOR/yacht rock nuggets from between the mid 1970s and early 1980s. One of the many highlights is the opening track by Ronnie Miler, balearic soul at its very best. But that's just the beginning. Praise Poems Vol.9 covers a wide selection of genres, from AOR (Leaves of Autumn, Mirage and Germany's own People) to pop-soul-rock (Stroke, Tom Miles and Jan Lewis Group), from Terry Callier-type folk-soul (Danish-Swedish singer & guitarist Mikael Neumann, Babe and the previously unreleased "Love Is Not For Real"), to jazz (Dianne Elliott and Phil Palumbo), completing the set with a couple of melancholic soul and psych beauties, most notably AOH's mind-blowing "The Answer Lies In Love". More

Universounds, HMV Record Shop and 180g team up for an exceptional release: from blazing hard bop to free jazz, to introspective saxophone solos and massive big band sounds, renowned Japanese jazz expert Yusuke Ogawa presents an essential 14 track collection of "WaJazz" music taken from the Nippon Columbia vaults. Featuring Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki, Hozan Yamamoto, Count Buffalo, Takeshi Inomata, and much more! More

In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy. She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy. For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever. More

re-release Mit seinen einzigartig intimen Klavieraufnahmen wurde der in Berlin lebende Pianist Nils Frahm zum Star der internationalen Neo-Klassik-Szene. Dabei machen seine Studioaufnahmen nur einen Bruchteil dessen aus, was auf einem Nils-Frahm-Konzert zu erwarten ist. Frahms Herz liegt nämlich in der Improvisation, in der Magie des Moments, in dem seine Finger, inspiriert vom Raum und Publikum, neue Kompositionen kreieren. "Spaces" ist eine Ode an die Lust des Livespiels, ein Ausdruck der Experimentierfreude und gleichzeitig eine Antwort auf die Frage seiner Fans nach einer Platte, die das Erlebnis eines Nils-Frahm-Konzerts widerspiegelt. Entgegen den Konventionen eines traditionellen Livealbums wurde "Spaces" über einen Zeitraum von zwei Jahren hinweg mithilfe von tragbaren Tonbandgeräten und Kassettendecks an verschiedenen Orten aufgenommen. Diese Momente wurden später in seinem Berliner Studio zu einer Art Collage an Feldaufnahmen zusammengesetzt. Mitunter mit überraschenden Momenten wie saitenhämmernden Klobürsten oder einem Huster aus dem Publikum. Das Doppelvinyl erscheint mit Downloadcode. More

Tracklist

A1. Jeff Mills - Entering The Black Hole
A2. Jeff Mills - Time In The Abstract

B1. Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
B2. Jeff Mills - Wandering

C1. Jeff Mills - When Time Stops
C2. Jeff Mills - Time Reflective

D1. Jeff Mills - Infinite Redshift
D2. Jeff Mills feat. Jun Togawa - Hole

(This double LP is cut in reverse, plays inside out) Jeff Mills Presents his new album 'The Trip', The World's First Cosmic Opera. What happens on the cosmic journey toward the black hole? What is on the other side of the black hole?Jeff Mills is set to explore these questions through a performance and an album release, that appeals to the auditory and visual senses.

An art performance focusing on being lost In space

``The Trip'' began about leaving Planet Earth and searching the cosmos for a new locations to live. Now, at 23 years later, we are entering a new chapter of the project where we encounter The Black Hole "Black Hole". A black hole is a celestial object whose gravity is so strong that no information leaks out, so it was impossible to observe it, and it was only a theoretical existence, but its location was identified for the first time in 2011. The latest research shows that it rotates on its own axis. Black holes are physically contradictory entities that are difficult to imagine, but what Jeff Mills is trying to deal with in ``The Trip'' also overlaps with singularity, which is the beginning or possible end of time and space. Displayed in 5 theoretical scenarios of what could happen after entering through the Black Hole and exiting on the other side.

Special guest: Jun Togawa

The provocative vocalist artist Jun Togawa was invited to participate by Jeff Mills as one of the highlights for this project. Among many talents such as acting and modeling, she is a trailblazing artist representing Japanese new wave, and her emotional songs have an unparalleled impact and continue to break down generational barriers. She is one of the greatest influences on Japanese avant-garde music and media, and her
career spans over 35 years.

Jeff Mills, fascinated by Jun's unique way of singingas well as a commanding stage presence, approached her through the right channels and by the evening of the same day, Jun Togawa agreed and the lyrics had been written. The recording sessions of the collaborated songs which were conducted remotely between their locations in Japan and the US, went smoothly.

Two songs are: "Contradiction" and "Hole." For both songs, Jun added the vocals to the rhythm originally composed by Jeff Mills, and the final synth pad added by Shinichi Yamaguchi was edited by Jeff Mills.
On "Contradiction" (Long Radio Mix), he wanted to include a guitar similar to the style of rock and roll legend Bo Diddley, which is masterfully played by Kazuhide Yamaji of the current Yapoos.
More

In the early 1980s, a particular alchemy between new musical technologies and significant social, cultural, and political transformations in Ghana gave rise to a new style of highlife. Drum machines and synthesisers appeared alongside lilting guitar lines and punchy horns, and the emerging Ghanaian diaspora began incorporating US disco and boogie, R&B, European new wave, and Caribbean zouk and soca into their music.

This style soundtracked the birth of a new, proud Ghanaian identity and captured the idiosyncrasies of a rapidly changing postcolonial society, marked by increased migration and wider access to global sounds and modern technology.

More than 20 years after the release of the heavy funk and Afrobeat-focused Ghana Soundz compilations, and following the success of 2009’s Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-1981, Soundway is now shining the spotlight on the multifaceted, diasporic sounds of the ‘80s on new compilation Ghana Special - Volume 2, a collection of 18 burger highlife, electronic afrobeat, and reggae tracks.

Though Ghanaian to its very core, burger highlife emerged mostly outside of Ghana and just as the sun was setting on the country’s musical golden age. In the 1960s and 1970s cities such as Accra, Tema, Takoradi, and Cape Coast were home to thriving music scenes, and the loud horn sections of the big highlife bands, or the simpler, socially conscious palm wine music ruled the dance halls, locals drinkeries, and airwaves.

Back then music represented a powerful force, and an artist’s endorsement or dissent could make or break a politician. Perhaps to curb this power, the incoming military regime-imposed curfews and substantial import taxes on musical instruments in the early 1980s. These measures, coupled with a profound economic downturn and shifting musical preferences that saw DJs replacing large live bands, served as the final blow to Ghana's once-thriving music scene.

Musicians left Ghana in droves, scattering across West Africa, Europe, and North America. Thanks in part to its more permissive migration policies Germany became the heart of this scene, and the movement in fact takes its name from “Bürger”, the German for “citizen”. Less confined by genres than back in Ghana, artists in the diaspora were quick to engage with the different styles, working disco, boogie, and funk into their highlife melodies. Access to state-of-the-art studios and modern musical technologies also gave birth to all sorts of mutations: burger highlife in fact is less defined by one particular sound, than by the experimental approach and global outlook of its artists.

Tracks such as Ernest Honny’s experimental cut “New Dance” are an example of just how far artists strayed from original highlife arrangements. Honny, who started his career as a keyboard player with Dr K Gyasi’s band The Noble Kings, had moved to Benin in the 1980s, where he experimented with synthesisers and drum machines at one of Cotonou’s top studios. Similarly, Nan Mayen’s “Mumude” is a slick, 80’s pop track which was recorded in Germany, with only a slight echo of highlife in its opening Fanti lyrics.
This generation of artists found inspiration in sounds that transcended geographical boundaries: singer and guitarist Nana Budjei, who was originally from central Ghana but had moved to the UK in the 1980s, says that his radiant, sun-drenched 1988 track “Asobrachie” is “influenced by reggae maestros Bob Marley and Alpha Blondy, and traditional Akan folklore music”; on “Jigi Jigi”, the Kumasi-born, Sweden transplant Delips Apo draws on soca, latin, and zouk influences.

Throughout the 1980s Ghanaian artists kept producing increasingly innovative and experimental hybrids, winning over new audiences abroad. Though back in Ghana the new sound was initially met with disapproval by purists, it slowly became a symbol of a new, worldly and modern Ghanaian identity. The creativity and open mindedness that characterised burger highlife have gone on to shape the evolution of Ghanaian music since, giving artists the freedom to explore new global sounds while preserving a proudly Ghanaian soul. Ghana Special - Volume 2 stands as a vibrant tribute to the lasting legacy of this groundbreaking musical era. More

2LP+7" + extended liner notes in large 8-page booklet!

Padang Moonrise is the story of modern Indonesian music that emerged underneath the volcanoes of Java and Sumatra. Java, the most populous island in the archipelago of over 17,000 islands and 1300 distinct ethnic groups, and its capital city Jakarta, was where most of the post-colonial national identity, politics, administration and music production was centred.

Traditional songs from Java, Sumatra, Bali and beyond were re-imagined by a small group of state-sponsored musicians that also composed and arranged new music. These songs aimed at consolidating a geographically disparate country with a new language and new ideas of national character. This compilation brings together a handful of these recordings that combine elements of regional popular music, Islamic Gambus, Javanese & Balinese Gamelan and Kroncong, with jazz, Afro-latin music & instrumentation, and vocal harmonies influenced by banned American doo-wop and rock & roll.

The results are a unique blend of styles that have remained mostly insulated from the world outside of Indonesia until a recent worldwide resurgence in the interest of recorded music of all forms has shone a new light on these nearly forgotten recordings.
credits
releases November 25, 2022

Compiled by Miles Cleret
Artwork by Lewis Heriz
Mastered by Dan Elleson
Lacquer cuts by Frank Merritt
Layout by Meurig Rees

Tracklist:
1.Orkes Teruna Ria - Bulan Dagoan
2.Yanti Bersaudara - Gumbira
3.Orkes Suita Rama - Tepui Tepui
4.Band Nada Kentjana - Djaleuleudja
5.Orkes Lokananta - Nganggo Telek Nang Krikilan
6.Orkes Teruna Ria - Budjang Talalai
7.Orkes Kelana Ria - Ya Mahmud
8.Orkes Teruna Ria - Geleang Sapi
9.Zaenal Combo - Ampat Lima Dalam Djambangan
10.Zaenal Combo - Seruling
11.Orkes Kelana Ria - Sajang
12.Mus D.S. - Neleng Neng Kung
13.Orkes Gumarang - Malin Kundang
14.Orkes Tropicana - Pantjaran Kasih
15.Orkes Teruna Ria - Tak Ton Tong
16.Orkes Lokananta - Tari Bali
17.Orkes Kelana Ria - Emplek Emplek Ketepu
18.Mus D.S. - Ahai Dara
19.Orkes Kelana Ria - Semoga 02:20
20.Zaenal Combo - Kaden Sadje
21.Orkes Irama - Gendjer Gendjer
22.Orkes Teruna Ria - Modjang Parahyangan
23.Orkes Sendja Meraju - Bubuj Bulan
24.Mus D. S. - Tautjo Tjiandjur
25.Nada Kantjana - Nelengnengkung
26.Ivo Nilakreshna - Ka Huma 02:33
27.Zaenal Combo - Tandung Tjina More